1 00:00:32,480 --> 00:00:33,840 -With his painting, 2 00:00:34,160 --> 00:00:35,360 Cézanne reinterprets 3 00:00:35,680 --> 00:00:38,160 what was called a vanity in the 17th century, 4 00:00:38,480 --> 00:00:41,280 a work that evokes fleeting pleasures. 5 00:00:41,600 --> 00:00:46,800 In "The Card Players" by the Le Nain brothers, there is alcohol, 6 00:00:47,120 --> 00:00:49,200 The game: fleeting pleasures. 7 00:00:49,520 --> 00:00:50,920 This painting, inevitably, 8 00:00:51,240 --> 00:00:53,120 Cézanne knew him. 9 00:00:53,440 --> 00:00:57,880 And in his painting, Cézanne adds the pipe for the pleasure of smoking. 10 00:00:58,200 --> 00:00:59,600 He evokes the time 11 00:00:59,920 --> 00:01:02,720 which is reflected in the age gap between the players, 12 00:01:03,040 --> 00:01:04,560 Perhaps father and son. 13 00:01:04,880 --> 00:01:09,200 Cézanne is over 50 years old, his father is dead. 14 00:01:10,600 --> 00:01:13,120 He paints a kind of modern vanitas, 15 00:01:13,440 --> 00:01:17,320 as if to attain a kind of wisdom, 16 00:01:17,920 --> 00:01:21,760 as if to remember that he too will die. 17 00:01:30,920 --> 00:01:31,840 Ah! 18 00:01:32,160 --> 00:01:35,840 Excuse me. You can put your things away. 19 00:01:36,840 --> 00:01:37,760 Yes, darling? 20 00:01:38,080 --> 00:01:40,040 -I've got it, I've found it! 21 00:01:40,360 --> 00:01:41,680 -What are you talking about? 22 00:01:43,320 --> 00:01:45,720 -Sainte-Victoire, to paint it, 23 00:01:46,040 --> 00:01:48,120 I didn't want to copy Cézanne. 24 00:01:48,640 --> 00:01:50,760 But he was right. 25 00:01:51,080 --> 00:01:52,440 It's magical here. 26 00:01:53,360 --> 00:01:55,320 I need to explain this to you. 27 00:01:55,640 --> 00:01:59,520 -Wait, I'm saying goodbye to my students and I'll call you back. 28 00:02:01,520 --> 00:02:04,200 Sorry, we'll talk about it again next week. 29 00:02:04,720 --> 00:02:07,000 -Thank you. Have a good day. -Goodbye. 30 00:02:15,640 --> 00:02:17,920 So, what's going on? 31 00:02:18,240 --> 00:02:20,680 -Can you look through my studies? 32 00:02:21,000 --> 00:02:23,960 -I'm putting you on speakerphone. Where are they? 33 00:02:24,280 --> 00:02:25,200 Your studies? 34 00:02:25,520 --> 00:02:28,160 *In a red shirt. -Red shirt. 35 00:02:28,480 --> 00:02:29,920 Ah, I have one here. 36 00:02:33,920 --> 00:02:35,440 Is it in gouache? 37 00:02:35,760 --> 00:02:36,760 -No, with charcoal. 38 00:02:37,080 --> 00:02:39,280 -Jules, I could have done without it. 39 00:02:39,600 --> 00:02:41,560 *And then, there's a mess! 40 00:02:43,120 --> 00:02:44,240 Um... 41 00:02:45,320 --> 00:02:46,320 -You think so? 42 00:02:46,640 --> 00:02:47,760 -No, I think... 43 00:02:50,680 --> 00:02:51,600 -Louise ? 44 00:02:53,320 --> 00:02:54,760 *Louise, are you there? 45 00:02:57,640 --> 00:02:58,880 Can you hear me? 46 00:03:02,880 --> 00:03:05,000 Louise, answer me! 47 00:03:06,400 --> 00:03:07,320 Louise ? 48 00:03:11,760 --> 00:03:12,800 *Louise ! 49 00:03:14,880 --> 00:03:16,920 *But what's going on? 50 00:03:17,520 --> 00:03:18,520 *Louise ! 51 00:03:20,000 --> 00:03:21,240 *Answer me! 52 00:03:23,840 --> 00:03:24,880 *Louise ! 53 00:03:31,800 --> 00:03:53,520 ... 54 00:03:55,280 --> 00:03:58,800 -No, no, it's fine. Let's not stress about it anymore. 55 00:04:00,120 --> 00:04:03,080 Let's not kid ourselves, we'll never be together. 56 00:04:05,600 --> 00:04:06,520 And to... And to... 57 00:04:06,840 --> 00:04:08,680 There were too many... 58 00:04:09,560 --> 00:04:11,160 -Yeah, problems. 59 00:04:12,760 --> 00:04:13,680 -Yes. 60 00:04:15,200 --> 00:04:17,200 Yes, it was really annoying. 61 00:04:18,960 --> 00:04:20,720 It was too much... 62 00:04:21,040 --> 00:04:22,360 Pff... -Complicated. 63 00:04:24,000 --> 00:04:26,840 -Yes, it's fine, thank you. -Complicated, yeah. 64 00:04:31,800 --> 00:04:33,360 That's better. 65 00:04:33,680 --> 00:04:34,480 -Of course. 66 00:04:34,800 --> 00:04:36,560 So... no more arguments? 67 00:04:37,560 --> 00:04:38,680 -No more arguments. 68 00:04:39,000 --> 00:04:41,640 -Are the slamming doors a thing of the past? 69 00:04:41,960 --> 00:04:43,640 -I promise you. -Fantastic. 70 00:04:44,600 --> 00:04:46,360 It's fantastic! 71 00:04:48,960 --> 00:04:51,240 -Are you sure you're okay? -I'm great. 72 00:04:51,560 --> 00:04:53,880 -OK. -Hello. Am I bothering you? 73 00:04:54,200 --> 00:04:55,040 -No way. 74 00:04:55,360 --> 00:04:57,160 -I'm bringing some cream puffs. 75 00:04:57,480 --> 00:05:00,120 -You can't imagine how happy I am 76 00:05:00,440 --> 00:05:03,160 to see you together, fulfilled, serene. 77 00:05:03,480 --> 00:05:04,360 Ca me... 78 00:05:05,640 --> 00:05:06,520 Really. 79 00:05:07,760 --> 00:05:09,200 -Okay. -That's cool. 80 00:05:09,520 --> 00:05:11,680 -A cream puff? -With pleasure. 81 00:05:13,480 --> 00:05:17,600 I'm sure we'll do excellent, productive work. 82 00:05:17,920 --> 00:05:18,840 all together. 83 00:05:19,160 --> 00:05:20,920 Confidence, serenity. 84 00:05:21,240 --> 00:05:23,920 It's obvious. (Ring) 85 00:05:24,480 --> 00:05:25,400 I'm coming. 86 00:05:26,640 --> 00:05:27,680 Oh shit! 87 00:05:28,480 --> 00:05:30,600 This is Adele. 88 00:05:31,480 --> 00:05:32,360 Yes, Adele. 89 00:05:33,320 --> 00:05:35,280 -(Is he on acid or something?) 90 00:05:35,840 --> 00:05:36,880 -No, it's... 91 00:05:37,200 --> 00:05:39,480 (I think he's taking pills.) 92 00:05:40,200 --> 00:05:41,320 -(Patents?) 93 00:05:41,640 --> 00:05:45,120 (But why?) - (I don't know. He's tired.) 94 00:05:45,440 --> 00:05:49,200 -We're going to take advantage of this working atmosphere. 95 00:05:49,520 --> 00:05:51,880 There's a homicide at a painter's house. 96 00:05:52,200 --> 00:05:55,800 The motive is unknown, but the prosecutor wants us to look into it. 97 00:05:56,120 --> 00:05:59,680 So, I want to tell you: it's up to you. 98 00:06:02,640 --> 00:06:05,400 -He must have something wrong. It's the... 99 00:06:05,720 --> 00:06:07,440 -No, not at all. -What is it again? 100 00:06:07,760 --> 00:06:10,800 Menopause, but for men? Andropause! 101 00:06:11,120 --> 00:06:14,800 -What is it? -Testosterone is making a run for it. 102 00:06:15,120 --> 00:06:17,080 We have mood swings... 103 00:06:17,400 --> 00:06:20,080 -Ms. Chassagne, we just need to be gentle with him. 104 00:06:20,400 --> 00:06:23,040 It's nothing. -We need to take care of him. 105 00:06:23,360 --> 00:06:25,120 -OK. -I'm worried. Sorry. 106 00:06:25,440 --> 00:06:27,760 -The medical examiner is waiting for you. -OK. 107 00:06:28,080 --> 00:06:31,360 Are you checking if there are any drawings that have value? 108 00:06:31,680 --> 00:06:33,400 Let's go. See you soon. 109 00:06:38,480 --> 00:06:39,280 -Good morning. 110 00:06:40,560 --> 00:06:44,760 -It's very clear: he strangled her first, he was behind her. 111 00:06:46,480 --> 00:06:50,720 Then he gently let her fall to the ground. 112 00:06:51,040 --> 00:06:52,680 And then he finished her off. 113 00:06:53,200 --> 00:06:55,800 Three stab wounds to the heart. 114 00:07:01,120 --> 00:07:02,960 -Was there a sexual assault? 115 00:07:03,640 --> 00:07:06,120 -No. He just wanted to kill her. 116 00:07:06,440 --> 00:07:10,280 Or he didn't have time. -It was his boyfriend who called us. 117 00:07:11,160 --> 00:07:14,160 Jules Pavard. They were on the phone. 118 00:07:14,480 --> 00:07:18,160 The connection was cut off, and then there was no further news. 119 00:07:18,480 --> 00:07:21,360 -Where is he? -On the train. He'll arrive in 2 hours. 120 00:07:21,680 --> 00:07:24,280 -Are you starting the neighborhood investigation? 121 00:07:24,600 --> 00:07:25,360 THANKS. 122 00:07:25,680 --> 00:07:28,320 So? -There's no value table. 123 00:07:28,640 --> 00:07:31,960 But there are one or two that I really like. 124 00:07:33,680 --> 00:07:34,760 -What is this? 125 00:07:35,440 --> 00:07:36,960 -Small holes. 126 00:07:37,280 --> 00:07:40,520 -OK, I can see that they are small holes. 127 00:07:41,640 --> 00:07:44,200 Stabbings? -Stabbing? 128 00:07:44,520 --> 00:07:49,280 Well... Actually, no. Or a spatula, a trowel, or a scraper... 129 00:07:49,600 --> 00:07:52,920 Look, take a spatula, there. 130 00:07:53,680 --> 00:07:55,280 No, it doesn't pierce. 131 00:07:55,600 --> 00:07:56,600 A heart, that's it. 132 00:08:00,080 --> 00:08:01,000 -Mm. 133 00:08:01,760 --> 00:08:03,720 Nevertheless, something is missing. 134 00:08:04,040 --> 00:08:04,840 -What ? 135 00:08:05,160 --> 00:08:08,600 -I don't know, a drawing, a painting, something. 136 00:08:08,920 --> 00:08:11,800 -Captain, in a workshop, one spends one's time 137 00:08:12,120 --> 00:08:14,640 taking down, hanging up, sticking, sticking again. 138 00:08:14,960 --> 00:08:18,160 -Ms. Chassagne, I understand. I find it strange. 139 00:08:18,480 --> 00:08:22,760 There are two tracks there, and nowhere else, so... 140 00:08:24,480 --> 00:08:25,360 What ? 141 00:08:25,680 --> 00:08:29,280 -You wouldn't happen to be prone to mood swings, would you? 142 00:08:30,520 --> 00:08:31,440 -Brief. 143 00:08:35,520 --> 00:08:36,880 Louise Pérec, 40 years old. 144 00:08:37,200 --> 00:08:40,400 She had been in a relationship with Jules Pavard for 15 years. 145 00:08:40,720 --> 00:08:42,520 -She was a painting teacher. 146 00:08:42,840 --> 00:08:45,360 -And him? -He's a painter. 147 00:08:45,680 --> 00:08:48,160 -He has a mobile, he has ADN, 148 00:08:48,480 --> 00:08:50,440 Nor the murder weapon? -That's right. 149 00:08:50,760 --> 00:08:53,440 -You wouldn't happen to have a little feeling, would you? 150 00:08:53,760 --> 00:08:55,360 A little hunch? 151 00:08:56,600 --> 00:08:57,560 -(Tell him.) 152 00:08:57,880 --> 00:08:59,920 -No, we don't have... We don't have anything. 153 00:09:00,240 --> 00:09:01,360 -Sure? -Well, yes. 154 00:09:01,680 --> 00:09:02,680 Ringtone. 155 00:09:03,000 --> 00:09:03,880 -Pardon. 156 00:09:06,080 --> 00:09:06,920 Hello, yes? 157 00:09:09,280 --> 00:09:11,880 -(Aren't you going to tell him about your intuition?) 158 00:09:12,200 --> 00:09:13,880 -(No, it's pointless.) 159 00:09:14,480 --> 00:09:16,800 -Ah, I've offended you. -Not at all. 160 00:09:17,120 --> 00:09:20,960 -Yes, when I told you that we don't kill with spatulas. 161 00:09:21,480 --> 00:09:23,920 I know you inside and out. "Not at all." 162 00:09:24,240 --> 00:09:25,520 -I didn't do that. 163 00:09:25,840 --> 00:09:27,560 -Exactly. -Let's stop. 164 00:09:27,880 --> 00:09:30,760 -Children, we said we were working 165 00:09:31,080 --> 00:09:33,640 in calmness, confidence and... 166 00:09:33,960 --> 00:09:35,160 -And serenity. 167 00:09:35,480 --> 00:09:37,160 -There you go. That was the PTS. 168 00:09:37,480 --> 00:09:40,400 No DNA, but perhaps a motive. 169 00:09:40,720 --> 00:09:43,240 -Yes? -L. Perec's death insurance, 170 00:09:43,560 --> 00:09:45,240 for the benefit of Jules Pavard. 171 00:09:45,560 --> 00:09:47,320 After his death, he would pocket 172 00:09:47,640 --> 00:09:48,800 200,000 euros. -Ah yes. 173 00:09:49,760 --> 00:09:52,160 -It can't be him, he was 800km away. 174 00:09:52,480 --> 00:09:55,880 -With 200,000 bucks, you can hire a hitman. 175 00:09:57,040 --> 00:09:59,680 -We're going to question him, he'll be here soon. 176 00:10:00,520 --> 00:10:03,560 -Antoine, can I talk to you? -Well, go ahead. 177 00:10:03,880 --> 00:10:06,920 -Over there, I have something to show you. 178 00:10:07,680 --> 00:10:09,320 -OK, coming. 179 00:10:12,560 --> 00:10:15,920 What is it? -The victim's neighbor heard 180 00:10:16,240 --> 00:10:17,320 a big argument 181 00:10:17,640 --> 00:10:19,920 between her and Jules Pavard, recently. 182 00:10:20,240 --> 00:10:21,960 -Okay, I'm going. -Wait. 183 00:10:22,280 --> 00:10:25,240 His name is Vincent Doppel. Do you know him? 184 00:10:26,200 --> 00:10:27,480 -Doppel... 185 00:10:27,800 --> 00:10:29,680 No. Why should I? 186 00:10:30,000 --> 00:10:31,840 -He looks a bit like you. 187 00:10:32,640 --> 00:10:35,120 -What is this nonsense? Thank you. 188 00:10:37,720 --> 00:10:38,840 Mr. Doppel, good morning. 189 00:10:44,720 --> 00:10:46,440 -Well, hello. 190 00:10:48,520 --> 00:10:51,640 -I am... I am Captain Verlay. 191 00:11:01,080 --> 00:11:02,600 -Well, I didn't expect that... 192 00:11:04,640 --> 00:11:06,640 It's... It's astounding. 193 00:11:08,120 --> 00:11:09,960 -Captain, what is the... 194 00:11:13,880 --> 00:11:14,640 -Madame. 195 00:11:16,200 --> 00:11:17,480 -No, no! 196 00:11:18,400 --> 00:11:20,760 -Mrs. Chassagne. -Mrs. Chassagne. 197 00:11:21,080 --> 00:11:22,680 -Come back with us. 198 00:11:23,000 --> 00:11:24,920 If you... -Ooh ooh. 199 00:11:25,240 --> 00:11:27,600 -This is Commander Pardo. 200 00:11:27,920 --> 00:11:28,920 -Ah! -There you go. 201 00:11:30,080 --> 00:11:32,440 -We were scared. -What happened? 202 00:11:34,400 --> 00:11:37,080 -I don't know what happened. All of a sudden... 203 00:11:37,400 --> 00:11:40,720 -Ah yes. It's going to be alright. We're calm, we're serene. 204 00:11:41,040 --> 00:11:42,720 Here, have a drink. 205 00:11:43,400 --> 00:11:45,080 Wow, that... 206 00:11:45,400 --> 00:11:49,560 -That's understandable. Two Captains Verlay in one office, it's a hot topic. 207 00:11:49,880 --> 00:11:51,280 Right, Mrs. Chassagne? 208 00:11:54,760 --> 00:11:55,880 -But, uh... 209 00:11:58,120 --> 00:11:59,840 Who is this gentleman? 210 00:12:00,160 --> 00:12:03,880 -Yes, granny, that's it, Verlay. V, E, R, L, A, Y. 211 00:12:06,200 --> 00:12:08,120 Oh? Does that ring a bell? 212 00:12:09,880 --> 00:12:12,520 What is the name of your mother's first cousin? 213 00:12:14,000 --> 00:12:17,800 That doesn't surprise me. He's right in front of me, you should see him... 214 00:12:18,120 --> 00:12:18,960 Yes. 215 00:12:20,120 --> 00:12:20,920 You have... 216 00:12:21,240 --> 00:12:24,800 If you have a photo... Listen, Grandma, if you have a photo, 217 00:12:25,120 --> 00:12:28,560 I'll go pick it up. I'll take the opportunity to give you a kiss. 218 00:12:28,880 --> 00:12:29,840 I send you a kiss. 219 00:12:30,160 --> 00:12:31,840 Goodbye. Goodbye. 220 00:12:32,720 --> 00:12:34,440 Yes, yes. Kiss, kiss. 221 00:12:35,440 --> 00:12:37,000 She is... She is 92 years old. 222 00:12:37,320 --> 00:12:41,360 And she has an elephant's memory. I don't know how she does it. 223 00:12:42,240 --> 00:12:44,160 -So, we are... 224 00:12:45,760 --> 00:12:46,960 -We're cousins. 225 00:12:48,440 --> 00:12:49,520 4th removed. 226 00:12:51,280 --> 00:12:54,200 That's crazy. That's crazy. 227 00:12:54,720 --> 00:12:56,320 -Yes, it's crazy, yes. 228 00:12:58,280 --> 00:12:59,400 Okay... Uh... 229 00:12:59,880 --> 00:13:02,400 You don't mind if we... -Wait. 230 00:13:03,560 --> 00:13:07,680 Cousins don't use formal address with each other. We use informal address. 231 00:13:09,040 --> 00:13:09,800 -OK. 232 00:13:10,120 --> 00:13:11,240 OK. Uh... 233 00:13:12,600 --> 00:13:16,760 Can we revisit your testimony regarding the murder of Louise Pérec? 234 00:13:17,520 --> 00:13:20,280 -Yes, of course, sorry. Sorry, excuse me. 235 00:13:20,600 --> 00:13:23,320 Between Louise and me this morning, that was very difficult, 236 00:13:23,640 --> 00:13:24,960 And you, now... 237 00:13:28,360 --> 00:13:31,640 I'm stuck on an emotional rollercoaster. 238 00:13:33,200 --> 00:13:35,040 -Yes, yes, I understand. 239 00:13:36,320 --> 00:13:37,440 Um... 240 00:13:38,160 --> 00:13:42,080 When did the violent argument between her and Jules Pavard take place? 241 00:13:43,120 --> 00:13:44,960 -Last week. Thursday. 242 00:13:45,280 --> 00:13:49,280 The next day, I was giving a linguistics lecture at the Sorbonne. 243 00:13:49,600 --> 00:13:51,520 -Thursday suited me very well. 244 00:13:53,080 --> 00:13:54,200 Um... 245 00:13:55,080 --> 00:13:57,880 How violent was it? -How violent? 246 00:13:59,480 --> 00:14:00,600 He was angry, 247 00:14:00,920 --> 00:14:03,360 vehement, impassioned. 248 00:14:04,000 --> 00:14:07,760 I heard the sound of breaking dishes. That, I... 249 00:14:08,360 --> 00:14:12,720 And then dull thuds against the walls: bang! 250 00:14:13,040 --> 00:14:16,960 As if someone were planning... -I get the general idea. 251 00:14:17,280 --> 00:14:18,520 -Of course, sorry. 252 00:14:19,240 --> 00:14:22,680 -Jules Pavard, is he usually violent? 253 00:14:23,000 --> 00:14:26,280 -Jules? Not at all. Not at all. Not at all. 254 00:14:26,600 --> 00:14:28,680 He is a charming man. 255 00:14:30,000 --> 00:14:32,320 Well, that being said... 256 00:14:34,240 --> 00:14:35,520 -What? Go on. 257 00:14:35,840 --> 00:14:39,480 -It seems to me that things weren't going very well between them anymore. 258 00:14:39,800 --> 00:14:43,600 -Louise confided in me. Sometimes we chatted. 259 00:14:43,920 --> 00:14:45,200 I thought I understood 260 00:14:45,520 --> 00:14:47,800 that he had money problems. 261 00:14:48,360 --> 00:14:52,000 She had to put her artistic career on hold. 262 00:14:52,320 --> 00:14:56,120 giving lessons, providing for the household. 263 00:14:56,680 --> 00:14:59,040 Something heavy for her. 264 00:15:01,840 --> 00:15:03,320 -Sorry 265 00:15:03,640 --> 00:15:04,840 to bother you. 266 00:15:05,160 --> 00:15:06,480 -You are welcome. 267 00:15:06,800 --> 00:15:08,080 Are you feeling better? 268 00:15:08,640 --> 00:15:10,120 -Yes, it's fine, thank you. 269 00:15:10,760 --> 00:15:14,720 Mr. Pavard has just arrived. He is waiting for you in the interview room. 270 00:15:15,040 --> 00:15:16,080 -OK. 271 00:15:17,040 --> 00:15:18,040 Okay, I'll tell you... 272 00:15:18,360 --> 00:15:19,760 Um, I'll... 273 00:15:20,080 --> 00:15:22,240 I'll walk you home. Adele! 274 00:15:22,560 --> 00:15:25,200 -Yes? -Are you walking the gentleman home? 275 00:15:25,520 --> 00:15:26,680 -Yes. -Cousin, 276 00:15:27,000 --> 00:15:29,560 It was a pleasure meeting you. 277 00:15:31,480 --> 00:15:33,160 See you soon, then? 278 00:15:33,480 --> 00:15:34,360 Bye. 279 00:15:35,400 --> 00:15:37,200 -Uh... -Dear madam... 280 00:15:39,240 --> 00:15:40,480 -Florence Chassagne. 281 00:15:40,800 --> 00:15:43,120 -I am delighted to have met you. 282 00:15:43,440 --> 00:15:46,040 Heartbeats. 283 00:15:46,360 --> 00:15:51,280 ... 284 00:15:51,680 --> 00:15:53,280 Goodbye. See you soon. 285 00:15:57,840 --> 00:15:59,160 Antoine sighed. 286 00:15:59,480 --> 00:16:02,400 "See you soon." Is he serious? Forever, yeah. 287 00:16:02,720 --> 00:16:06,560 It's awful, I feel like I'm talking to a dictionary. 288 00:16:07,520 --> 00:16:08,440 No ? 289 00:16:08,760 --> 00:16:09,520 -What ? 290 00:16:11,000 --> 00:16:12,320 I'll pick it up. 291 00:16:13,800 --> 00:16:16,840 -I never forced Louise to give lessons. 292 00:16:17,160 --> 00:16:19,960 She loved it. She used Cézanne 293 00:16:20,280 --> 00:16:23,960 to teach the students about composition and colors. 294 00:16:24,280 --> 00:16:25,720 She was great. 295 00:16:31,600 --> 00:16:36,000 -But for you, giving lessons isn't your thing? 296 00:16:36,320 --> 00:16:40,640 -I really don't have time for that. -Mm. You're painting. 297 00:16:44,440 --> 00:16:45,760 It doesn't work 298 00:16:46,080 --> 00:16:47,280 Pretty strong, isn't it? 299 00:16:48,000 --> 00:16:49,120 You owe €5,000 300 00:16:49,440 --> 00:16:51,360 to one of your gallery owners. 301 00:16:51,680 --> 00:16:54,840 -I was going to reimburse him with the next sale. 302 00:16:55,160 --> 00:16:57,280 -With the Sainte-Victoire? -Mm. 303 00:16:58,280 --> 00:17:00,440 -I know nothing about painting, 304 00:17:00,760 --> 00:17:03,480 But my colleague knows a lot about it. 305 00:17:03,800 --> 00:17:06,720 *and she says it's far from a done deal. 306 00:17:08,160 --> 00:17:09,640 -That's disgusting. 307 00:17:10,440 --> 00:17:12,560 -What's disgusting? 308 00:17:12,880 --> 00:17:15,240 -To insinuate that I killed Louise. 309 00:17:15,560 --> 00:17:18,400 Yes, she was the one who kept us alive. 310 00:17:18,720 --> 00:17:21,800 Yes, we argued, like all couples. 311 00:17:22,120 --> 00:17:23,360 But I loved her. 312 00:17:23,880 --> 00:17:27,120 Who kills the woman he just proposed to? 313 00:17:30,560 --> 00:17:33,360 -But she wanted to get married? 314 00:17:37,320 --> 00:17:40,080 -She didn't answer me. She was thinking. 315 00:17:42,600 --> 00:17:43,480 -All right. 316 00:17:46,640 --> 00:17:49,280 Okay, you're going to do exactly the same thing. 317 00:17:49,880 --> 00:17:52,000 *You will think about it for a little while. 318 00:18:06,080 --> 00:18:08,560 -You proposed to Hortense 319 00:18:08,880 --> 00:18:10,920 After 17 years of living together, right? 320 00:18:11,240 --> 00:18:12,680 -Finally, commune, 321 00:18:14,040 --> 00:18:15,400 more or less. 322 00:18:16,000 --> 00:18:17,840 -It's disturbing, all the same. 323 00:18:18,440 --> 00:18:22,480 He also, doesn't make a living from his painting. Him too, 324 00:18:22,800 --> 00:18:26,160 He started painting Sainte-Victoire like that. 325 00:18:26,840 --> 00:18:28,400 -You're not going to compare 326 00:18:28,720 --> 00:18:30,720 My paint with this molasses? 327 00:18:31,040 --> 00:18:32,560 -No, I'm not comparing. 328 00:18:33,240 --> 00:18:35,560 But I have the feeling that... 329 00:18:36,320 --> 00:18:41,120 He thought that by following your path, his life would change. 330 00:18:41,440 --> 00:18:43,360 -He's a nutcase. A beautiful nutcase. 331 00:18:43,680 --> 00:18:45,240 -Not so crazy after all. 332 00:18:45,560 --> 00:18:49,480 At 47, even Zola, your best friend, no longer believed in you. 333 00:18:49,800 --> 00:18:51,320 There, you get married. 334 00:18:51,640 --> 00:18:55,520 You break with Zola, you inherit from your father, and begin 335 00:18:55,840 --> 00:18:57,560 to paint this mountain. 336 00:18:57,880 --> 00:19:02,240 -And this gentleman said to himself, "I'm going to do it like Cézanne"? 337 00:19:02,560 --> 00:19:05,880 -Yes. -"This mountain will be my victory." 338 00:19:06,200 --> 00:19:06,840 -No ? 339 00:19:07,160 --> 00:19:09,440 -Selling the paintings, I didn't care! 340 00:19:09,760 --> 00:19:12,840 I got married because we had our little one. 341 00:19:13,160 --> 00:19:15,440 and that I wanted to paint in peace. 342 00:19:16,160 --> 00:19:17,640 Painting in peace. 343 00:19:18,480 --> 00:19:19,880 Your type, there, 344 00:19:21,400 --> 00:19:25,240 He's crazy, but on top of that, he knows nothing about painting. 345 00:19:25,960 --> 00:19:27,560 -You're stubborn. -A mule. 346 00:19:27,880 --> 00:19:29,480 -Well, me too. 347 00:19:35,320 --> 00:19:38,160 He clings to the story of Cézanne. 348 00:19:38,480 --> 00:19:40,320 It's as if he believed 349 00:19:40,640 --> 00:19:44,840 that this mountain could have a magical power over his life. 350 00:19:45,160 --> 00:19:46,360 On his career. 351 00:19:48,680 --> 00:19:51,600 -That's an interesting theory, Ms. Chassagne. 352 00:19:51,920 --> 00:19:54,480 It's a bit far-fetched, but... 353 00:19:54,800 --> 00:20:00,120 -If Louise had refused the marriage, that could be a motive, right? 354 00:20:00,440 --> 00:20:05,160 -The more time passes, the less I believe in this hitman story. 355 00:20:05,960 --> 00:20:07,680 -Can we know why? 356 00:20:08,320 --> 00:20:10,760 -First, we didn't find anything on the phone 357 00:20:11,080 --> 00:20:12,600 Pavard, and two, 358 00:20:12,920 --> 00:20:17,440 For me, something's missing. -More of your spatula strokes? 359 00:20:18,200 --> 00:20:19,880 -Spatula strokes? 360 00:20:20,200 --> 00:20:22,120 -Something has been removed 361 00:20:22,440 --> 00:20:23,800 from the workshop wall. 362 00:20:24,120 --> 00:20:26,600 I can't imagine a hitman doing that. 363 00:20:26,920 --> 00:20:29,520 -It's not necessarily the killer's doing. 364 00:20:29,840 --> 00:20:32,720 -OK, Ms. Chassagne, but... -Explain to him 365 00:20:33,040 --> 00:20:36,200 that in a workshop... -I would like to be sure of that. 366 00:20:36,520 --> 00:20:38,680 -We're going back downstairs right away 367 00:20:39,000 --> 00:20:40,480 in peace 368 00:20:40,800 --> 00:20:42,000 and serenity... 369 00:20:42,800 --> 00:20:44,600 -What's he doing here? 370 00:20:48,640 --> 00:20:54,000 -A somewhat incongruous question: has he been bald for a long time? 371 00:20:54,320 --> 00:20:59,680 -I've always known him bald. -(I'm the one who stole his hair.) 372 00:21:00,000 --> 00:21:01,080 Adele laughs. 373 00:21:01,600 --> 00:21:05,760 -He can't come here every hour, that's not going to work. 374 00:21:08,040 --> 00:21:11,160 We're not going to start... -Cousin! 375 00:21:11,480 --> 00:21:13,760 Excuse me, I don't want to bother you. 376 00:21:14,080 --> 00:21:16,240 But I wanted to show you this. 377 00:21:16,920 --> 00:21:19,960 -You'll see, it's crazy. -OK, who is it? 378 00:21:20,280 --> 00:21:25,800 -Grandma gave it to me. It belonged to our great-great-great-grandfather. 379 00:21:26,120 --> 00:21:27,320 -That's crazy! 380 00:21:28,200 --> 00:21:29,480 It's striking. 381 00:21:29,800 --> 00:21:31,160 -It's phenomenal. 382 00:21:32,160 --> 00:21:36,120 Do you have children? -Two. They don't look like that. 383 00:21:36,440 --> 00:21:37,240 Not to you. 384 00:21:37,560 --> 00:21:38,880 That has nothing to do with it. 385 00:21:39,200 --> 00:21:41,280 -Luckily for them. 386 00:21:42,640 --> 00:21:44,240 Ah, Madame Chassagne! 387 00:21:44,560 --> 00:21:45,520 Keep it. 388 00:21:46,080 --> 00:21:47,280 Um... 389 00:21:48,000 --> 00:21:50,440 I apologize again for earlier. 390 00:21:50,760 --> 00:21:54,080 -Don't be sorry, I don't know what happened to me. 391 00:21:54,720 --> 00:21:57,520 -You could say that it had an effect on her. 392 00:21:57,840 --> 00:21:58,600 (He wanted 393 00:21:58,920 --> 00:22:01,400 To know how long you've been bald.) 394 00:22:01,720 --> 00:22:05,080 -Shall we have coffee or tea? -With pleasure. 395 00:22:05,400 --> 00:22:06,400 My pleasure. 396 00:22:12,480 --> 00:22:15,600 -(Ah, damn, he's going to piss me off. I'm sure of it.) 397 00:22:15,920 --> 00:22:20,240 -I don't know if you know this, but I'm an art historian. 398 00:22:20,560 --> 00:22:21,720 It's my passion. 399 00:22:22,040 --> 00:22:26,200 If I hadn't been a historian... -Am I dreaming or is this flirting? 400 00:22:26,520 --> 00:22:28,440 -I would have loved to do that. 401 00:22:28,760 --> 00:22:30,800 Coffee or tea? No, sorry. 402 00:22:31,120 --> 00:22:33,560 You must taste the tea. 403 00:22:33,880 --> 00:22:35,240 -Here, take this. 404 00:22:36,040 --> 00:22:38,320 -It's a happy coincidence: 405 00:22:38,640 --> 00:22:41,960 I would have liked to create and offer a course 406 00:22:42,280 --> 00:22:45,280 "Painting and the structure of language". 407 00:22:47,480 --> 00:22:48,560 Do you see? 408 00:22:49,520 --> 00:22:52,880 -That's a great idea. -I think so too. 409 00:22:53,600 --> 00:22:54,600 It's ready. 410 00:22:55,280 --> 00:22:56,280 -Oh, fuck! 411 00:22:56,600 --> 00:22:57,880 -Yes, absolutely. 412 00:23:03,880 --> 00:23:07,840 Come to my office at the Louvre to choose some paintings. 413 00:23:08,160 --> 00:23:09,560 -That's fantastic. 414 00:23:09,880 --> 00:23:11,920 My students are going to be thrilled. 415 00:23:13,000 --> 00:23:16,680 -Captain Verlay, put me through to the prosecutor's office. 416 00:23:17,520 --> 00:23:18,400 Yes, Verlay. 417 00:23:18,920 --> 00:23:19,680 Mm. 418 00:23:29,040 --> 00:23:30,960 What is this nonsense? 419 00:23:33,000 --> 00:23:36,200 -Did you have your cousin bugged? 420 00:23:41,200 --> 00:23:42,400 -Yes, that's true. 421 00:23:42,920 --> 00:23:44,600 -Can we know why? 422 00:23:45,120 --> 00:23:46,320 -Well, why not... 423 00:23:46,640 --> 00:23:47,600 Because... 424 00:23:49,920 --> 00:23:53,360 He was close to the victim, he knows Pavard. 425 00:23:53,680 --> 00:23:55,080 It might be him 426 00:23:55,400 --> 00:23:56,280 the accomplices. 427 00:23:56,600 --> 00:23:59,840 -Antoine, I don't need that right now. 428 00:24:00,640 --> 00:24:02,560 -OK, but he's a key witness. 429 00:24:02,880 --> 00:24:05,600 You can't deny that. -Of course. 430 00:24:05,920 --> 00:24:07,320 -There you go. -No relation 431 00:24:07,640 --> 00:24:10,560 to the fact that he left with Florence? 432 00:24:10,880 --> 00:24:13,160 -No, that has nothing to do with it. 433 00:24:13,480 --> 00:24:14,480 -Nothing. -Nothing. 434 00:24:14,800 --> 00:24:15,640 -Nothing ! 435 00:24:18,440 --> 00:24:23,000 -Okay, listen, Alex... I need it, okay? 436 00:24:23,320 --> 00:24:26,960 Who says he's not trying to get his hands on her? 437 00:24:27,280 --> 00:24:28,960 Who told you that? -No-one. 438 00:24:29,280 --> 00:24:30,360 -So. 439 00:24:31,240 --> 00:24:36,160 -And of course, there's no need to inform Florence about this procedural point? 440 00:24:37,680 --> 00:24:40,920 -No, she doesn't necessarily need to know. 441 00:24:42,520 --> 00:24:44,840 -Pavard's lawyer has arrived. 442 00:24:46,080 --> 00:24:48,800 -That's good. I'll keep you posted. 443 00:24:49,120 --> 00:24:50,160 -Yes, that's it. 444 00:24:59,680 --> 00:25:00,760 -It'll be OK. 445 00:25:02,280 --> 00:25:03,720 Calm and serene. 446 00:25:06,680 --> 00:25:11,040 -He is in police custody for a life insurance policy and testimony 447 00:25:11,360 --> 00:25:12,520 from an argument? 448 00:25:12,840 --> 00:25:16,840 Is this what you call serious evidence? -The prosecutor hasn't decided yet 449 00:25:17,160 --> 00:25:20,560 of the indictment. -That would be the last straw. 450 00:25:22,440 --> 00:25:27,000 -We are trying to find out if Mr. Pavard could have hired an accomplice. 451 00:25:27,320 --> 00:25:30,000 -On what basis? You have no proof. 452 00:25:30,320 --> 00:25:33,160 My client should be with his loved ones. 453 00:25:33,960 --> 00:25:38,960 -I need your client to rule out that possibility. 454 00:25:42,560 --> 00:25:43,520 Was there 455 00:25:43,840 --> 00:25:46,800 Something in that spot, on that wall? 456 00:25:50,480 --> 00:25:51,560 -I don't know, 457 00:25:51,880 --> 00:25:53,000 I don't know. 458 00:25:53,560 --> 00:25:55,840 I'm sorry, I... -The killer 459 00:25:56,160 --> 00:26:00,240 Could they have taken something? A valuable painting? 460 00:26:00,800 --> 00:26:04,280 -No, I'm sure of it. There was no valuable painting. 461 00:26:04,600 --> 00:26:08,520 -It's strange, this empty place, don't you think? 462 00:26:10,760 --> 00:26:14,400 -Things always change in the workshop, I don't know. 463 00:26:14,720 --> 00:26:19,160 Louise displayed the paintings according to her classes. 464 00:26:19,480 --> 00:26:21,360 Ask the students. 465 00:26:29,040 --> 00:26:31,400 -You stay with him, I'll come back. 466 00:26:32,920 --> 00:26:36,960 Adèle, did you interview the students who were there before the murder? 467 00:26:37,280 --> 00:26:39,200 -No, they were summoned. 468 00:26:39,520 --> 00:26:43,120 -No, I want to see them at the crime scene. 469 00:26:43,440 --> 00:26:45,120 Is the PTS finished? -Yes, yes. 470 00:26:45,440 --> 00:26:46,400 -OK, perfect. 471 00:26:51,560 --> 00:26:54,600 -Dad, I know you don't know Vincent Doppel. 472 00:26:54,920 --> 00:26:57,920 I'm asking you to investigate at the Sorbonne. 473 00:26:58,240 --> 00:27:03,160 You can inquire about his reputation and whether he can be trusted. 474 00:27:03,480 --> 00:27:06,000 -You think I'm a Stasi agent? 475 00:27:06,320 --> 00:27:09,640 -Right away, the big words. -And your Captain Verlay, 476 00:27:09,960 --> 00:27:13,760 Can't he handle it? -Absolutely not. No Captain Verlay! 477 00:27:14,080 --> 00:27:17,000 This mission requires discretion and tact. 478 00:27:17,320 --> 00:27:19,560 Delicacy isn't his strong suit. 479 00:27:19,880 --> 00:27:22,360 Find out about his family situation. 480 00:27:22,680 --> 00:27:24,960 -His family situation? -Absolutely. 481 00:27:25,280 --> 00:27:28,560 -Do you want to know if he's married? -Well, uh... 482 00:27:28,880 --> 00:27:33,240 Yes, good idea. Yes, if he's married, has children. 483 00:27:33,560 --> 00:27:37,160 -He has beautiful eyes. Your investigation: is a bit delicate. 484 00:27:37,480 --> 00:27:38,320 -Pardon ? 485 00:27:38,640 --> 00:27:41,240 -Do the cops also want his measurements? 486 00:27:41,560 --> 00:27:44,760 Perhaps you already have them? -It's a real mission. 487 00:27:45,080 --> 00:27:46,840 Only you can fill it out. 488 00:27:47,160 --> 00:27:50,760 -It's been a long time since you introduced me to someone. 489 00:27:51,080 --> 00:27:54,160 -Ultimately, I think you're not up to the task. 490 00:27:54,480 --> 00:27:58,400 I'll find someone else. -No, darling, I'll take care of it. 491 00:27:58,720 --> 00:28:01,720 Count on me. You've piqued my curiosity. 492 00:28:02,040 --> 00:28:03,840 -Are you sure? Dad, Dad... 493 00:28:04,360 --> 00:28:06,040 Discretion, eh? -Yes, yes. 494 00:28:06,360 --> 00:28:31,400 ... 495 00:28:31,800 --> 00:28:34,840 "Vice-President of the Research Group..." 496 00:28:36,520 --> 00:28:38,120 -Ah, love! 497 00:28:39,040 --> 00:28:39,920 Love. 498 00:28:40,240 --> 00:28:42,280 Our hearts are pounding. 499 00:28:43,080 --> 00:28:45,000 That's all we can think about anymore. 500 00:28:46,160 --> 00:28:47,520 -Go ahead and make fun of me. 501 00:28:48,720 --> 00:28:50,960 Am I telling you about your adventures? 502 00:28:51,600 --> 00:28:53,320 I'm not talking to you either 503 00:28:53,640 --> 00:28:58,240 of those to whom you secretly wrote passionate letters. 504 00:28:58,560 --> 00:29:01,680 -Don't even mention it to me, then. -Zola was acting as intermediary. 505 00:29:04,240 --> 00:29:08,360 Did you fall out over this? -Mind your own business! 506 00:29:08,680 --> 00:29:09,960 -OK. -Me, anyway, 507 00:29:10,280 --> 00:29:12,960 I don't go falling in love with my wife's lookalike. 508 00:29:13,640 --> 00:29:14,920 -Are you out of your mind or what? 509 00:29:18,880 --> 00:29:20,520 I don't see the connection. 510 00:29:22,040 --> 00:29:23,680 I'm curious. 511 00:29:24,200 --> 00:29:24,960 That's all. 512 00:29:38,440 --> 00:29:41,800 -It's crazy, the resemblance. -Are you just cousins? 513 00:29:42,320 --> 00:29:45,880 -You're not here to talk about my family tree. 514 00:29:46,200 --> 00:29:47,520 I would like to know 515 00:29:47,840 --> 00:29:51,640 If there was something right there. A painting, a drawing. 516 00:29:51,960 --> 00:29:55,200 You know? -Yes, a self-portrait by Cézanne. 517 00:29:55,520 --> 00:29:58,000 An exercise we had done. 518 00:29:58,320 --> 00:29:59,360 -Yes, that's it. 519 00:29:59,680 --> 00:30:02,280 -And this exercise, can I see it? 520 00:30:02,600 --> 00:30:04,480 -Louise put everything away here. 521 00:30:04,800 --> 00:30:07,080 -Wait, I'll do it. 522 00:30:13,360 --> 00:30:14,960 -It's the blue card. 523 00:30:15,280 --> 00:30:16,600 -That one, in front? 524 00:30:16,920 --> 00:30:18,320 -No, the little one. 525 00:30:24,800 --> 00:30:28,080 -Is this the size of the original? -Yes. 526 00:30:28,400 --> 00:30:29,400 -At 1:1 scale. 527 00:30:30,920 --> 00:30:31,920 -Pardon. 528 00:30:32,240 --> 00:31:07,920 ... 529 00:31:08,240 --> 00:31:11,280 -As if he couldn't stand the way she looked at him. 530 00:31:11,600 --> 00:31:14,280 -Do you really think it's a hitman 531 00:31:14,600 --> 00:31:17,000 Would Pavard have done that? 532 00:31:17,320 --> 00:31:18,640 -No, it makes no sense. 533 00:31:18,960 --> 00:31:22,360 It's more like a deranged person who would have a grudge against Cézanne. 534 00:31:22,680 --> 00:31:23,960 -Obsessed with Cézanne. 535 00:31:24,280 --> 00:31:25,360 -If you want. 536 00:31:25,680 --> 00:31:29,840 -In short, he's not a hitman, so he's not Jules Pavard. 537 00:31:30,160 --> 00:31:32,000 -We're going to free him. 538 00:31:32,320 --> 00:31:33,080 Yes? 539 00:31:33,400 --> 00:31:35,960 -We're OK for the wiretap. -Hop hop! 540 00:31:36,280 --> 00:31:37,640 Excuse me, I... 541 00:31:37,960 --> 00:31:39,520 -Are you alright, Commander? -Yes. 542 00:31:39,840 --> 00:31:41,400 Yes, no... I'll be back. 543 00:31:42,240 --> 00:31:45,320 -Is it andropause again? -No, they are 544 00:31:45,640 --> 00:31:47,480 on a big case. 545 00:31:47,800 --> 00:31:51,040 -In any case, he's not in his normal state. 546 00:31:51,360 --> 00:31:53,400 Okay, see you later. -Wait! 547 00:31:53,720 --> 00:31:56,000 Have you heard from my cousin? 548 00:31:56,520 --> 00:31:57,520 -No, why? 549 00:31:58,720 --> 00:32:00,400 -No, uh... like this. 550 00:32:00,920 --> 00:32:03,560 Perhaps he might have called you. 551 00:32:03,880 --> 00:32:05,400 I don't know. -Oh no. 552 00:32:05,720 --> 00:32:08,080 -No? -No, he didn't call me. 553 00:32:09,440 --> 00:32:10,400 I'm going. 554 00:32:10,720 --> 00:32:12,160 See you later. 555 00:32:14,120 --> 00:32:15,840 -What's it saying? -Come and see. 556 00:32:18,880 --> 00:32:22,520 Listen to this. It's a message on your cousin's cell phone. 557 00:32:22,840 --> 00:32:25,000 -OK. -He hasn't listened to it yet. 558 00:32:25,320 --> 00:32:28,640 *-Mr. Doppel, Arthur Dulac. We've met before, 559 00:32:28,960 --> 00:32:31,240 *I was a student of Louise. -Dulac? 560 00:32:31,560 --> 00:32:33,680 *-I'm in a big mess. 561 00:32:34,000 --> 00:32:37,360 *Could we meet soon? It's important. 562 00:32:37,680 --> 00:32:39,840 *Call me back at this number. Thank you. 563 00:32:41,560 --> 00:32:45,120 -That's weird. He was with me at the crime scene. 564 00:32:45,440 --> 00:32:46,280 Should we summon him? 565 00:32:46,600 --> 00:32:51,040 -No, he's going to lead us on. And we can't say anything to Doppel. 566 00:32:53,040 --> 00:32:56,160 -You see? I was right to bug him. 567 00:32:56,480 --> 00:33:00,080 We might have something. I had a hunch. 568 00:33:01,520 --> 00:33:02,960 Okay, so what do we do? 569 00:33:04,160 --> 00:33:06,600 -The best approach is to use infiltration. 570 00:33:07,320 --> 00:33:08,560 -That's to say ? 571 00:33:08,880 --> 00:33:13,800 -We're going to make Dulac believe he has a date with your cousin. 572 00:33:15,040 --> 00:33:16,800 But it won't be your cousin. 573 00:33:21,680 --> 00:33:24,960 Come to the interview room tomorrow at dawn. 574 00:33:29,960 --> 00:33:34,960 I know a makeup artist, a real pro. She works miracles. 575 00:33:41,080 --> 00:33:46,080 Doppel will suspect nothing. Adele will delete the message remotely. 576 00:33:46,400 --> 00:34:10,960 ... 577 00:34:11,560 --> 00:34:14,200 Tomorrow morning, he's off to the Sorbonne. 578 00:34:14,520 --> 00:34:16,680 We'll meet in Dulac. 579 00:34:17,000 --> 00:34:19,360 And you'll pretend to be Doppel. 580 00:34:20,480 --> 00:34:21,520 -OK. 581 00:34:35,680 --> 00:34:37,960 And what do we tell Florence? 582 00:34:38,280 --> 00:34:40,560 -Nothing. Regarding the story about the gouged-out eyes, 583 00:34:40,880 --> 00:34:42,160 She has a job to do. 584 00:34:46,560 --> 00:34:49,240 -Who could possibly hate you like that? 585 00:34:52,040 --> 00:34:54,080 -I was dragged through the mud. 586 00:34:54,840 --> 00:34:56,520 I was called a failure, 587 00:34:57,640 --> 00:34:58,760 savage. 588 00:34:59,840 --> 00:35:02,640 I was even told that I couldn't draw. 589 00:35:04,600 --> 00:35:05,880 But that, never. 590 00:35:06,840 --> 00:35:10,120 -It's so violent. -That too, yes. 591 00:35:11,040 --> 00:35:13,040 I was told I was violent. 592 00:35:13,640 --> 00:35:14,520 that I had 593 00:35:14,840 --> 00:35:15,880 impulses. 594 00:35:17,320 --> 00:35:19,480 A vast collection of nonsense. 595 00:35:19,800 --> 00:35:21,080 -Nonsense... 596 00:35:22,160 --> 00:35:24,880 There are some early works that... 597 00:35:25,200 --> 00:35:26,280 -Who what? 598 00:35:28,400 --> 00:35:29,280 -So. 599 00:35:34,320 --> 00:35:37,760 -Yes, I may have gone through a darker period. 600 00:35:38,280 --> 00:35:39,760 But that was the era. 601 00:35:40,520 --> 00:35:43,440 And Zola kept nagging me about his naturalism. 602 00:35:44,280 --> 00:35:47,840 "The artist has the right to delve into the very heart of human nature, 603 00:35:48,160 --> 00:35:52,640 "to conceal nothing of the human corpse." That, Emile bored me to death, too. 604 00:35:53,400 --> 00:36:16,960 ... 605 00:36:17,720 --> 00:36:19,680 -Murder and strangulation. 606 00:36:20,000 --> 00:36:41,440 ... 607 00:36:42,360 --> 00:36:44,440 -What an idiotic face. 608 00:36:46,440 --> 00:36:47,960 Oh fuck, what a nightmare. 609 00:36:52,000 --> 00:36:55,000 -Antoine, where are you at? *-I'm back. 610 00:36:55,320 --> 00:36:58,280 *I still have some time. -Keep me informed. 611 00:36:58,600 --> 00:37:00,680 -OK. Let's hope it works. 612 00:37:01,000 --> 00:37:03,760 -Let's hope so. -Where is the captain? 613 00:37:04,280 --> 00:37:08,080 -I don't know, he hasn't called. Do you have any news? 614 00:37:08,400 --> 00:37:10,440 -Yes. Shall I show you? -Yes. 615 00:37:13,040 --> 00:37:16,640 -This painting is "The Murder". You can see the knife wound. 616 00:37:16,960 --> 00:37:19,240 This one: "The Strangled Woman". 617 00:37:19,560 --> 00:37:23,840 Strangulation. Stabbing. Wait. Do you see her hair? 618 00:37:24,160 --> 00:37:25,280 Look closely. 619 00:37:25,880 --> 00:37:31,200 The killer arranged the victim's hair exactly 620 00:37:31,520 --> 00:37:32,880 as in the painting. 621 00:37:33,200 --> 00:37:35,920 -Why would he have done that? -I don't know. 622 00:37:36,240 --> 00:37:38,560 This guy is obsessed with Cézanne. 623 00:37:38,880 --> 00:37:41,880 -I'll borrow them. -Will you give them back? 624 00:37:42,200 --> 00:37:43,000 -Yes. 625 00:37:43,320 --> 00:37:46,280 Adele? 626 00:37:47,560 --> 00:37:50,160 Ah, Adele. Call the IT department. 627 00:37:50,480 --> 00:37:54,160 I want to know if these two paintings were posted at the same time 628 00:37:54,480 --> 00:37:57,600 on social networks, or simply downloaded from the Internet. 629 00:38:07,120 --> 00:38:08,800 -Vincent, 10am at his place? 630 00:38:09,440 --> 00:38:12,120 -Isn't he allowed to be curious? 631 00:38:12,440 --> 00:38:14,040 That's his cousin, isn't it? 632 00:38:14,360 --> 00:38:17,040 -He's not curious, he can't stand it. 633 00:38:18,080 --> 00:38:22,120 He's jealous. He's going to tell her to stop trying to seduce me. 634 00:38:23,960 --> 00:38:25,160 -I'll take care of it. 635 00:38:26,480 --> 00:38:27,760 Is she leaving already? 636 00:38:28,080 --> 00:38:30,520 -Yeah, apparently. -Yeah. 637 00:38:31,360 --> 00:38:35,280 Probably for a course at the Sorbonne on the language of love. 638 00:38:35,600 --> 00:38:38,000 -I asked you to... -Yes, I... 639 00:38:38,320 --> 00:38:40,560 "Any news from my cousin?" 640 00:38:41,600 --> 00:38:44,800 I'll give you some news about your cousin. 641 00:38:54,800 --> 00:38:59,000 -Listen, he's still not here. Can you check if... 642 00:38:59,320 --> 00:39:00,320 There's a knock. 643 00:39:02,080 --> 00:39:05,560 If nothing. Never mind, he's here. I'll leave you. 644 00:39:10,960 --> 00:39:12,480 ... 645 00:39:15,960 --> 00:39:16,920 (Oh, fuck.) 646 00:39:17,240 --> 00:39:20,080 -Excuse me, I'll be 2 minutes. 647 00:39:21,080 --> 00:39:23,360 Captain, I know you're there. 648 00:39:23,680 --> 00:39:25,200 Excuse me. Captain! 649 00:39:25,720 --> 00:39:26,840 Captain! 650 00:39:27,360 --> 00:39:30,760 Excuse me, sorry to burst in like this, at your place. 651 00:39:31,080 --> 00:39:32,720 The captain is coming 652 00:39:33,040 --> 00:39:38,320 I'm telling you not to see me again, and I really want to see you again. 653 00:39:39,200 --> 00:39:41,760 Sorry, I don't know why I'm saying that. 654 00:39:42,080 --> 00:39:43,760 -Wait. -Yes, I know. 655 00:39:44,080 --> 00:39:46,840 I really want to see you again. 656 00:39:47,160 --> 00:39:51,640 It might seem strange, because you look like Antoine, 657 00:39:51,960 --> 00:39:54,320 But you are very, very different. 658 00:39:55,080 --> 00:39:56,280 And I... 659 00:39:57,160 --> 00:39:58,400 How can I put this? 660 00:39:58,720 --> 00:39:59,760 It's like... 661 00:40:00,680 --> 00:40:03,680 It was like a revelation, I thought to myself... 662 00:40:04,000 --> 00:40:04,760 -It's me. 663 00:40:05,080 --> 00:40:07,200 -Yes, I thought to myself, it's you. 664 00:40:07,520 --> 00:40:10,600 -No, it's me. -I thought to myself: "It's him." 665 00:40:10,920 --> 00:40:12,200 -It's me ! 666 00:40:12,520 --> 00:40:14,040 -Ah! -It's Antoine. 667 00:40:14,840 --> 00:40:15,680 It's me. 668 00:40:17,960 --> 00:40:18,760 Pardon. 669 00:40:19,080 --> 00:40:22,280 I'm sorry. We... we should have... 670 00:40:22,600 --> 00:40:23,800 There's a knock. 671 00:40:26,440 --> 00:40:28,280 It's him. -Is that Vincent? 672 00:40:28,600 --> 00:40:30,920 -No, it's Arthur Dulac. 673 00:40:31,240 --> 00:40:34,360 -Who is it? -It might be the murderer. 674 00:40:34,680 --> 00:40:37,080 -I don't feel well. -Listen. 675 00:40:37,400 --> 00:40:39,760 You need to act as if I were Vincent. 676 00:40:40,080 --> 00:40:43,080 This is very important. I'll explain everything later. 677 00:40:43,400 --> 00:40:45,000 -As if you are Vincent. 678 00:40:45,320 --> 00:40:47,600 -Take off some clothes. -Take off my clothes? 679 00:40:47,920 --> 00:40:50,880 -As if you'd been here the whole time. 680 00:40:51,200 --> 00:40:52,720 -Okay. -Be natural. 681 00:40:55,720 --> 00:40:56,840 (Damn!) 682 00:41:06,800 --> 00:41:09,480 -Hello. -Young man, come in. 683 00:41:10,080 --> 00:41:10,960 -Thanks. 684 00:41:13,880 --> 00:41:14,720 -Florence, 685 00:41:15,040 --> 00:41:16,760 My good friend. -Hello. 686 00:41:17,080 --> 00:41:18,240 -Hello. 687 00:41:19,520 --> 00:41:23,960 -Ms. Chassagne took the photo and the post-it note from Dulac's meeting. 688 00:41:24,280 --> 00:41:27,280 -What? -She's at Doppel's. It seems like 689 00:41:27,600 --> 00:41:32,320 Linguistics at the Sorbonne is like a showdown at the OK Corral. 690 00:41:34,120 --> 00:41:35,640 *-Captain Verlay, 691 00:41:35,960 --> 00:41:37,720 *Leave a message. 692 00:41:38,040 --> 00:41:40,480 -It's crazy how much this cop looks like you. 693 00:41:41,560 --> 00:41:43,960 -You hid this from me? You'll have to 694 00:41:44,280 --> 00:41:45,800 -Introduce him to me. -Yes. 695 00:41:46,120 --> 00:41:49,440 -You didn't know him? -No. Anyway, you want 696 00:41:49,760 --> 00:41:51,800 To pick up a bag from Louise's. -Yes. 697 00:41:52,120 --> 00:41:54,080 This whole story has moved me deeply. 698 00:41:54,400 --> 00:41:56,360 My whole life is in it. 699 00:41:56,680 --> 00:42:00,760 My credit card and my documents are there; I need to get them back. 700 00:42:01,080 --> 00:42:02,360 -What can I do? 701 00:42:02,680 --> 00:42:06,520 -You have the keys. You spoke about it once with Louise. 702 00:42:06,840 --> 00:42:09,320 -Yes, sweetie. -I have the keys... 703 00:42:09,640 --> 00:42:10,960 -Look, there. No. 704 00:42:11,280 --> 00:42:14,640 Look there, in your pot. -Wait. 705 00:42:14,960 --> 00:42:17,320 It seems to me... It seems to me... 706 00:42:18,160 --> 00:42:19,520 Ah, the box is empty. 707 00:42:19,840 --> 00:42:22,840 -The jar where all your keys are. -They're here. 708 00:42:23,160 --> 00:42:24,960 Should we warn 709 00:42:25,280 --> 00:42:26,480 the police? 710 00:42:26,800 --> 00:42:28,200 -Ah, for so little? 711 00:42:29,160 --> 00:42:30,000 -I have it. 712 00:42:30,600 --> 00:42:31,440 "Louise". 713 00:42:31,760 --> 00:42:33,440 -Shall we go? -Yes, thank you. 714 00:42:34,080 --> 00:42:36,720 -I'll take you there, okay? -Yes. 715 00:42:38,920 --> 00:42:40,040 -I'm coming too. 716 00:42:40,360 --> 00:42:41,800 Since I'm here. 717 00:42:49,640 --> 00:42:52,040 -Thank you, anyway. -You're welcome. 718 00:42:54,760 --> 00:42:55,720 After you. 719 00:42:58,680 --> 00:43:01,520 (I need to check what he wants to get back 720 00:43:01,840 --> 00:43:02,960 (from his bag. 721 00:43:03,280 --> 00:43:04,680 (Create a diversion.) 722 00:43:05,400 --> 00:43:06,200 So ? 723 00:43:06,520 --> 00:43:08,600 -It was near the entrance. 724 00:43:08,920 --> 00:43:13,040 -Come and search with me. -I'll go get it. 725 00:43:13,360 --> 00:43:14,400 -What's it like? 726 00:43:14,720 --> 00:43:17,800 -It's a canvas bag with a leather flap. 727 00:43:18,560 --> 00:43:19,440 -Arthur ? 728 00:43:19,760 --> 00:43:22,120 I think I've got it. -Great! 729 00:43:22,440 --> 00:43:23,480 -Isn't that it? 730 00:43:23,800 --> 00:43:24,560 -No, no. 731 00:43:24,880 --> 00:43:27,080 It's a backpack. -A backpack? 732 00:43:27,400 --> 00:43:30,440 -Yeah. -Okay, I was looking for a bag... 733 00:43:30,760 --> 00:43:33,760 Come with me, come. Follow me. -Yes. 734 00:43:39,800 --> 00:43:41,240 -No, not yet. 735 00:43:43,040 --> 00:43:44,160 So, wait. 736 00:43:44,480 --> 00:43:47,680 You know, Arthur... -It would never be there. 737 00:43:48,000 --> 00:43:50,400 -No, no, but maybe here. 738 00:43:50,720 --> 00:43:54,400 When I look, I'll find it. What's the bag like? 739 00:43:54,720 --> 00:43:56,640 What's the leather like? 740 00:43:56,960 --> 00:44:00,280 -It's brown leather. -Okay, okay. 741 00:44:00,600 --> 00:44:02,440 I'm going to help you. There! 742 00:44:03,240 --> 00:44:04,080 -No, 743 00:44:04,400 --> 00:44:06,160 It won't be there. -Still not there. 744 00:44:08,240 --> 00:44:11,320 You know that when I look, I'll find it. 745 00:44:11,640 --> 00:44:14,800 -Yes, you told me. -Would this be it? 746 00:44:15,400 --> 00:44:17,120 -Yes, that's it. Yes. 747 00:44:17,440 --> 00:44:18,400 THANKS. 748 00:44:20,080 --> 00:44:21,680 -I had a hunch. 749 00:44:22,520 --> 00:44:25,960 -For once you've found something without me... 750 00:44:27,200 --> 00:44:29,040 -Phew! Thank you. -Is everything there? 751 00:44:30,640 --> 00:44:34,160 -Have a good day. -Yes. You have a good day too. 752 00:44:36,800 --> 00:44:38,320 -(Damn!) -So? 753 00:44:39,200 --> 00:44:40,120 -So nothing. 754 00:44:40,440 --> 00:44:44,200 He'd really forgotten his bag, the idiot. There was nothing in it! 755 00:44:44,520 --> 00:44:45,320 -How are you? 756 00:44:45,640 --> 00:44:49,880 Did you enjoy this? I could have done without it. 757 00:44:50,200 --> 00:44:53,400 -Well, I could have done without it too. 758 00:44:53,720 --> 00:44:54,800 -Florence. -Damn. 759 00:44:55,120 --> 00:44:56,160 -My father. 760 00:44:56,480 --> 00:44:58,400 (What is he doing here?) 761 00:44:58,720 --> 00:45:02,880 -What are you doing here? Captain, why are you in disguise? 762 00:45:05,000 --> 00:45:08,720 -People keep mistaking me for my cousin. 763 00:45:09,040 --> 00:45:10,440 -A cousin? -Antoine. 764 00:45:10,760 --> 00:45:13,600 We have the same great-great-great-grandfather. 765 00:45:13,920 --> 00:45:15,400 -You're not ready for this! 766 00:45:15,720 --> 00:45:17,920 They share a common ancestor. 767 00:45:19,480 --> 00:45:20,320 That's crazy! 768 00:45:23,280 --> 00:45:24,440 -Vincent Doppel. 769 00:45:24,760 --> 00:45:25,760 My respects. 770 00:45:26,080 --> 00:45:28,640 -You two look very much alike. 771 00:45:28,960 --> 00:45:32,720 I feel like I have Captain Verlay in front of me. 772 00:45:33,040 --> 00:45:36,160 But with a tie and general knowledge. 773 00:45:38,560 --> 00:45:40,000 Vibrator. 774 00:45:43,120 --> 00:45:44,080 -Excuse me. 775 00:45:44,400 --> 00:45:45,720 Hello? *-Yes, Antoine. 776 00:45:46,040 --> 00:45:49,440 *Did you manage with Florence? -I'm handling it, it's fine. 777 00:45:49,760 --> 00:45:52,080 -What are you doing here? -I still have 778 00:45:52,400 --> 00:45:56,800 the right to see where my daughter's suitor lives. 779 00:45:57,120 --> 00:45:59,480 -My suitor? -You're sleeping at his place. 780 00:45:59,800 --> 00:46:01,480 -What? -As for physical appearance, 781 00:46:01,800 --> 00:46:03,680 There is continuity. 782 00:46:04,000 --> 00:46:07,080 -I'm asking you to investigate, not to give your opinion. 783 00:46:07,400 --> 00:46:08,560 -I'm sorry, 784 00:46:08,880 --> 00:46:11,400 It was the Sorbonne, we absolutely must 785 00:46:11,720 --> 00:46:13,560 Let's go. -Shall I come? 786 00:46:13,880 --> 00:46:15,240 -Yes of course. 787 00:46:15,560 --> 00:46:16,360 -Sorry. 788 00:46:16,680 --> 00:46:19,840 -Do you work for the Sorbonne? -I'll happily explain 789 00:46:22,080 --> 00:46:23,280 -it later. 790 00:46:27,280 --> 00:46:29,600 -Yes, Vincent was bugged. 791 00:46:29,920 --> 00:46:33,560 We thought he might be an accomplice. We didn't tell you anything. 792 00:46:33,880 --> 00:46:35,520 -Can I know why? 793 00:46:35,840 --> 00:46:40,800 -We knew you wouldn't be objective. And I wasn't wrong. 794 00:46:41,120 --> 00:46:43,720 -What did you have on him, to put him 795 00:46:44,040 --> 00:46:46,440 under surveillance? -What did we have? 796 00:46:46,760 --> 00:46:49,320 He was a key witness. That's all. 797 00:46:51,440 --> 00:46:52,520 -A key witness. 798 00:46:55,080 --> 00:46:56,320 You have nothing. 799 00:46:58,040 --> 00:46:59,240 You know what? 800 00:46:59,560 --> 00:47:01,360 -What? -I was right. 801 00:47:03,240 --> 00:47:04,520 You're jealous. 802 00:47:05,360 --> 00:47:07,040 -I'm not jealous at all. 803 00:47:07,360 --> 00:47:11,760 You do what you want. -Exactly, I'll do what I want. 804 00:47:14,360 --> 00:47:15,360 -Yes yes. 805 00:47:31,880 --> 00:47:34,280 What do you have that I don't? 806 00:47:35,800 --> 00:47:38,120 What do you have that I don't? 807 00:47:40,680 --> 00:47:42,680 You have nothing more than me. 808 00:47:46,400 --> 00:47:47,400 Damn. 809 00:47:50,440 --> 00:47:51,360 (Nothing.) 810 00:47:58,240 --> 00:47:59,240 There's a knock. 811 00:47:59,760 --> 00:48:03,560 -Ah, Antoine. We have some new information on the paintings that have been identified 812 00:48:03,880 --> 00:48:05,120 by Florence. 813 00:48:05,680 --> 00:48:09,360 They were posted 5 months ago. -Who is Aline Costa? 814 00:48:09,680 --> 00:48:11,800 -A student in Aix. -In Aix? 815 00:48:12,120 --> 00:48:16,560 -Yes. And she lives 200m from the room Pavard rents there. 816 00:48:24,680 --> 00:48:25,880 You go down to Aix 817 00:48:26,200 --> 00:48:29,320 search that girl's place and question her 818 00:48:29,640 --> 00:48:30,400 on site. 819 00:48:30,720 --> 00:48:31,480 Florence 820 00:48:31,800 --> 00:48:34,800 She will accompany you for the expert assessments. -Me too? 821 00:48:35,120 --> 00:48:37,960 -Yes. We need to understand the connection 822 00:48:38,280 --> 00:48:41,000 between Cézanne, Aline Costa and Jules Pavard. 823 00:48:41,320 --> 00:48:43,040 -Are you sure? -Yes, why? 824 00:48:43,360 --> 00:48:47,720 -I thought Pavard was innocent. I must have been wrong. 825 00:48:48,040 --> 00:48:51,960 -We're checking everything. Apparently, Pavard was seeing this girl. 826 00:48:52,280 --> 00:48:54,360 -His accomplice? -I don't know. 827 00:48:54,680 --> 00:48:58,520 -Maybe. That doesn't tell us why she would have wanted to gouge out 828 00:48:58,840 --> 00:49:00,480 your painter's eyes. 829 00:49:02,400 --> 00:49:04,160 What do we do with Pavard? 830 00:49:04,480 --> 00:49:07,600 -I called him back in. Your train is in 2 hours. 831 00:49:08,480 --> 00:49:09,400 Come on, let's go! 832 00:49:30,120 --> 00:49:32,800 -Why would I put Vincent back under surveillance? 833 00:49:33,120 --> 00:49:35,640 -Of course. You think I'm a fool. 834 00:49:37,000 --> 00:49:38,040 -It's this way. 835 00:49:38,520 --> 00:49:42,120 I have no intention of listening to your petty pronouncements. 836 00:49:42,440 --> 00:49:45,600 Yesterday was more than enough for me. -I'm sorry. 837 00:49:45,920 --> 00:49:47,920 -Hello. Captain Verlay. 838 00:49:48,240 --> 00:49:49,920 OCBC. Ms. Chassagne. 839 00:49:50,240 --> 00:49:52,440 -You have crossed the line. 840 00:49:52,760 --> 00:49:54,960 -Go ahead. -To the back of the courtyard. 841 00:49:55,280 --> 00:49:57,880 -I'm not going to let you down. -Thank you. 842 00:50:02,760 --> 00:50:04,880 -I didn't know she was dead. 843 00:50:05,200 --> 00:50:07,960 I'm sorry, but I didn't know her. 844 00:50:08,760 --> 00:50:12,160 -Jules Pavard, do you know him? -Yes, I know him. 845 00:50:12,840 --> 00:50:16,520 I met him 6 or 7 months ago, in a bar near here. 846 00:50:16,840 --> 00:50:19,280 He asked me to pose for him. 847 00:50:20,200 --> 00:50:21,400 -Is that all? 848 00:50:21,720 --> 00:50:23,000 -No, we had sex. 849 00:50:23,320 --> 00:50:24,520 Is it forbidden? 850 00:50:25,360 --> 00:50:27,200 -No, it's not forbidden. 851 00:50:28,600 --> 00:50:30,040 OK, so what next? 852 00:50:30,360 --> 00:50:33,360 -It lasted a few weeks and that's all. 853 00:50:33,680 --> 00:50:35,120 -Excuse me. -Yes? 854 00:50:37,320 --> 00:50:40,840 -Are you interested in painting? -Not particularly. 855 00:50:41,160 --> 00:50:44,600 -Why are there 2 Cézanne paintings on your page? 856 00:50:44,920 --> 00:50:46,440 -Ah! That was just for fun. 857 00:50:46,760 --> 00:50:48,880 And for the clicks. 858 00:50:49,840 --> 00:50:51,280 -Fun and clicks? 859 00:50:51,600 --> 00:50:52,880 -If you put 860 00:50:53,200 --> 00:50:55,240 something a bit clickbait-y, like: 861 00:50:55,560 --> 00:50:58,520 "Cézanne, hashtag violence against women", 862 00:50:58,840 --> 00:51:01,040 It generates clicks. -That's disgusting. 863 00:51:01,360 --> 00:51:03,360 -He said he was only interested 864 00:51:03,680 --> 00:51:06,440 in lemonade, and then he tortured her 865 00:51:06,760 --> 00:51:09,880 by making her pose for hours. -On the contrary, 866 00:51:10,200 --> 00:51:13,320 Hortense was a free woman, truly very free. 867 00:51:13,640 --> 00:51:14,440 and Cézanne 868 00:51:14,760 --> 00:51:17,360 He greatly respected this freedom. 869 00:51:17,680 --> 00:51:19,360 They were a couple... 870 00:51:19,680 --> 00:51:21,560 Well, not like the others. 871 00:51:21,880 --> 00:51:24,880 -I don't care about any of that. However, I did get 872 00:51:25,200 --> 00:51:27,320 13,000 views for this page. 873 00:51:28,040 --> 00:51:29,200 -She annoys me. 874 00:51:29,880 --> 00:51:31,000 -L. Perec is dead 875 00:51:31,320 --> 00:51:34,400 strangled and stabbed just like in those paintings. 876 00:51:34,720 --> 00:51:35,560 -What ? 877 00:51:37,320 --> 00:51:38,320 -Look. 878 00:51:39,160 --> 00:51:41,920 The hair, does that ring a bell? 879 00:51:42,240 --> 00:51:43,080 Or not? 880 00:51:45,360 --> 00:51:47,560 -Do you think I killed Louise? 881 00:51:48,400 --> 00:51:50,840 -No, I don't believe anything, we're still looking. 882 00:51:51,160 --> 00:51:54,440 -It's been over for months. I have another boyfriend. 883 00:51:54,760 --> 00:51:57,360 Would I have killed Louise out of jealousy? No. 884 00:51:57,680 --> 00:51:59,440 I don't care about that guy. 885 00:52:01,440 --> 00:52:02,320 -M. Pavard, 886 00:52:02,640 --> 00:52:05,840 Did you know that Aline Costa had posted these paintings? 887 00:52:06,160 --> 00:52:08,480 -No, I don't watch that stuff. 888 00:52:09,040 --> 00:52:12,560 -But you know them? -Yes, of course. 889 00:52:12,880 --> 00:52:16,720 -I don't see the connection between these paintings and the murder. 890 00:52:17,040 --> 00:52:21,280 -Sorry to show this to your client, but we have no choice. 891 00:52:21,600 --> 00:52:24,400 Louise was strangled and then stabbed. 892 00:52:24,720 --> 00:52:26,440 As in these two paintings. 893 00:52:26,760 --> 00:52:28,560 A disturbing coincidence, isn't it? 894 00:52:28,880 --> 00:52:30,600 -The murderer also 895 00:52:30,920 --> 00:52:32,800 pierced the eyes of this portrait, 896 00:52:33,120 --> 00:52:35,560 as if he held a grudge against Cézanne. 897 00:52:36,600 --> 00:52:37,680 Does that ring a bell? 898 00:52:38,000 --> 00:52:40,840 Does the name Mr. Pavard ring a bell? 899 00:52:41,920 --> 00:52:44,680 -If you know something, you should speak up. 900 00:52:45,440 --> 00:52:46,600 -SO ? 901 00:52:47,720 --> 00:52:49,000 -Yes. Yes, yes. 902 00:52:50,160 --> 00:52:52,520 Aline told me about those paintings, yes. 903 00:52:53,920 --> 00:52:57,000 In January, I had organized a private viewing. 904 00:52:57,320 --> 00:53:00,080 We were still seeing each other back then, with Aline. 905 00:53:03,120 --> 00:53:05,320 (You want to kill her? You're delusional!) 906 00:53:05,640 --> 00:53:07,640 -Calm down a little, look. 907 00:53:08,800 --> 00:53:11,040 Your beloved little painter, look. 908 00:53:11,360 --> 00:53:15,400 He was only thinking about that. You see? -(That's not it at all. Stop.) 909 00:53:16,160 --> 00:53:17,480 She wanted to come. 910 00:53:17,800 --> 00:53:21,160 She wanted to take advantage of the opportunity to do some shopping in Paris. 911 00:53:21,480 --> 00:53:22,560 My ass, yeah! 912 00:53:24,600 --> 00:53:28,360 -(Do you want to live with me or not?) -(That's not the question.) 913 00:53:28,680 --> 00:53:30,720 -(With the insurance money, 914 00:53:31,040 --> 00:53:33,320 (Anything is possible.) -(You're crazy!) 915 00:53:33,640 --> 00:53:35,120 -(Just relax.) 916 00:53:35,640 --> 00:53:37,440 (You're not fun anymore.) 917 00:53:37,760 --> 00:53:40,360 -The next day, I left her. 918 00:53:40,680 --> 00:53:44,200 -I never told him that! -Why would he lie? 919 00:53:44,520 --> 00:53:48,560 He's getting revenge because I dumped him. He says it's him 920 00:53:48,880 --> 00:53:51,680 who dumped you. -Nonsense. 921 00:53:52,000 --> 00:53:54,400 -We're going to the police station. Jeremy. 922 00:53:54,720 --> 00:53:55,880 -You're crazy! 923 00:53:56,200 --> 00:53:57,880 Okay, don't touch me! 924 00:54:00,600 --> 00:54:03,960 -You didn't say anything? -Why would she have done that? 925 00:54:04,280 --> 00:54:07,840 She's twisted, that's for sure. It turned her on 926 00:54:08,160 --> 00:54:10,040 telling me to kill Louise, 927 00:54:10,360 --> 00:54:13,120 But she's not completely crazy. 928 00:54:14,080 --> 00:54:14,880 And? 929 00:54:18,600 --> 00:54:19,760 -Okay, let's go. 930 00:54:20,600 --> 00:54:22,840 -Give me one, I'll help you. 931 00:54:23,600 --> 00:54:27,080 His computer is here, I'd like to check something. 932 00:54:27,400 --> 00:54:29,800 -You only touch it with them. -Yes. 933 00:54:30,120 --> 00:54:32,800 I'm getting used to it, now. 934 00:54:44,080 --> 00:54:44,920 -It's there. 935 00:54:45,480 --> 00:54:48,160 Seriously, I'm sure she's just messing with us. 936 00:54:48,800 --> 00:54:51,560 -She may have told Pavard to kill Louise. 937 00:54:51,880 --> 00:54:54,040 I don't see her doing it herself. 938 00:54:54,360 --> 00:54:57,120 -That's the only thing we have for now. 939 00:54:57,440 --> 00:55:01,120 -As for gouging out Cézanne's eyes, I... She doesn't care. 940 00:55:01,440 --> 00:55:05,080 -Maybe she's bluffing. -At her place, there's nothing about Cézanne. 941 00:55:05,400 --> 00:55:08,320 Nothing on his computer, nothing in his belongings. 942 00:55:08,640 --> 00:55:11,000 -That's all for today. 943 00:55:11,320 --> 00:55:13,720 Our heads are full of stuff, we... 944 00:55:14,040 --> 00:55:15,240 We'll resume tomorrow. 945 00:55:15,560 --> 00:55:17,360 The hotel is this way. -Uh... 946 00:55:18,160 --> 00:55:22,480 You go, I'll join you. I'll only be 2 minutes, okay? 947 00:55:23,240 --> 00:55:25,000 -That's Vincent, right? 948 00:55:25,320 --> 00:55:26,960 ... 949 00:55:27,280 --> 00:55:28,880 -That's none of your business. 950 00:55:29,200 --> 00:55:32,560 ... 951 00:55:32,880 --> 00:55:34,480 -Why are you doing this? 952 00:55:37,280 --> 00:55:39,880 -What? -We're trying to find 953 00:55:40,200 --> 00:55:42,160 a balance here and it isn't easy. 954 00:55:42,480 --> 00:55:45,680 And you, are you falling in love with my double? 955 00:55:46,000 --> 00:55:46,960 -Captain, 956 00:55:47,280 --> 00:55:49,200 I am so sorry. 957 00:55:49,760 --> 00:55:53,040 My comments were directed at Vincent, but they were sincere. 958 00:55:53,360 --> 00:55:54,880 You are very different. 959 00:55:55,200 --> 00:55:58,040 -Why didn't you choose another teacher? 960 00:55:58,360 --> 00:56:01,360 Why choose a teacher who looks like me? 961 00:56:01,680 --> 00:56:04,000 Why a guy who looks like me? 962 00:56:04,320 --> 00:56:07,280 How many teachers have you met? 963 00:56:07,600 --> 00:56:10,000 -You don't understand what I'm telling you. 964 00:56:13,080 --> 00:56:15,160 -It's you who doesn't understand. 965 00:56:15,480 --> 00:56:43,120 ... 966 00:56:43,720 --> 00:56:47,840 -Yes, I told Jules that there was a solution for the money. 967 00:56:48,520 --> 00:56:50,600 -By killing Louise. -Yes. 968 00:56:50,920 --> 00:56:54,600 I said it just like that, it was nothing. It was like a joke. 969 00:56:55,360 --> 00:56:56,480 -Like a game. 970 00:56:56,800 --> 00:56:57,600 -Exactly. 971 00:57:00,280 --> 00:57:04,040 -The problem is that it can't be Jules Pavard. 972 00:57:04,360 --> 00:57:07,000 We can't know where you were. 973 00:57:07,320 --> 00:57:11,520 -What? Jules had a motive, but I'm the one being accused? 974 00:57:12,040 --> 00:57:12,800 What a game, 975 00:57:13,120 --> 00:57:15,040 He's a fucking child 976 00:57:15,360 --> 00:57:16,280 immature ! 977 00:57:16,600 --> 00:57:18,440 It could be him 978 00:57:18,760 --> 00:57:19,960 who raped me! 979 00:57:20,280 --> 00:57:21,960 -Raped you? -Yes! 980 00:57:23,120 --> 00:57:25,000 -After the opening in Paris, 981 00:57:25,320 --> 00:57:28,600 A guy grabbed me from behind in an alley here. 982 00:57:28,920 --> 00:57:29,720 -And ? 983 00:57:30,040 --> 00:57:34,200 -A couple arrived, and then he ran away. I didn't see his face. 984 00:57:37,160 --> 00:57:38,840 -Did you file a complaint? 985 00:57:39,160 --> 00:57:42,440 -No! Since when does justice do anything 986 00:57:42,760 --> 00:57:47,360 useful about violence against women? Who would I have filed a complaint against? 987 00:57:47,680 --> 00:57:51,200 -Do you think it was Jules? -I don't know! 988 00:57:51,720 --> 00:57:52,680 It's possible. 989 00:57:53,000 --> 00:57:54,720 -You know the painting 990 00:57:55,040 --> 00:57:56,640 "The Abduction"? -No. 991 00:57:57,880 --> 00:57:58,800 What about it ? 992 00:58:01,240 --> 00:58:03,640 -Shall we take a break, please? 993 00:58:20,480 --> 00:58:23,720 I know you need help to see it. 994 00:58:24,040 --> 00:58:25,560 I'll show you. 995 00:58:27,120 --> 00:58:29,040 -So that's rape? 996 00:58:29,360 --> 00:58:31,840 -That's one possible interpretation. 997 00:58:32,160 --> 00:58:34,280 -So, if she knew Cézanne, 998 00:58:34,600 --> 00:58:38,600 She would be putting Pavard down, like he's into paintings of rapists? 999 00:58:38,920 --> 00:58:42,960 -She doesn't know Cézanne, so it doesn't fit the crime scene. 1000 00:58:45,800 --> 00:58:46,960 Vibrator. 1001 00:58:48,480 --> 00:58:49,280 What ? 1002 00:58:49,840 --> 00:58:50,760 What is it? 1003 00:58:51,080 --> 00:58:53,600 -Pavard was not in Aix on the day of the rape. 1004 00:58:54,520 --> 00:58:56,280 It can't be him. 1005 00:58:58,680 --> 00:59:02,720 She's bluffing, she's crazy. She wanted Pavard to kill his wife. 1006 00:59:03,040 --> 00:59:06,760 That's our only lead. -You have no idea how much 1007 00:59:07,080 --> 00:59:08,280 That annoys me. -What? 1008 00:59:08,600 --> 00:59:11,280 -I feel like we're missing something. 1009 00:59:12,840 --> 00:59:14,320 I need to think about it. 1010 00:59:15,400 --> 00:59:18,680 -You know what? Think about it, and I'll go back. 1011 00:59:32,680 --> 00:59:34,680 -It was said that this woman, 1012 00:59:35,680 --> 00:59:38,280 she was a metaphor for painting. 1013 00:59:39,480 --> 00:59:42,120 She's dead and you wanted 1014 00:59:42,440 --> 00:59:45,840 to revive her by heading towards Sainte-Victoire, 1015 00:59:46,160 --> 00:59:49,080 To find another way to paint. Is that it? 1016 00:59:50,560 --> 00:59:53,120 -It took me 40 years to get there. 1017 00:59:55,440 --> 00:59:58,120 It's a long journey, don't you think? 1018 01:00:13,960 --> 01:00:15,320 -Hello Sir, 1019 01:00:15,640 --> 01:00:19,920 I would like a car to the Place des Martyrs de la Résistance. 1020 01:00:20,680 --> 01:00:21,720 Absolutely. 1021 01:00:24,000 --> 01:00:25,920 Okay, thank you very much. 1022 01:00:42,560 --> 01:00:44,160 The sound of cicadas. 1023 01:01:00,320 --> 01:01:03,320 -I carried it with all my might, my painting. 1024 01:01:04,160 --> 01:01:07,200 It's as if she's too heavy for me. 1025 01:01:08,360 --> 01:01:09,840 I was so angry. 1026 01:01:11,320 --> 01:01:13,000 Sainte-Victoire is 1027 01:01:13,320 --> 01:01:16,200 as if she were taking some of that weight off my shoulders. 1028 01:01:31,000 --> 01:01:33,000 Little by little, it came. 1029 01:01:33,560 --> 01:01:34,560 The mountain. 1030 01:01:36,560 --> 01:01:38,120 Ochre, green. 1031 01:01:40,000 --> 01:01:43,120 The earth, the trees. The horizontal and the vertical. 1032 01:01:45,520 --> 01:01:46,480 Geometry. 1033 01:01:54,280 --> 01:01:55,280 -The feminine form. 1034 01:01:59,200 --> 01:02:00,440 The masculine form. 1035 01:02:04,400 --> 01:02:06,680 -Everything ended up becoming confused. 1036 01:02:07,360 --> 01:02:09,760 And I found a little peace. 1037 01:02:11,480 --> 01:02:12,560 A little bit of harmony. 1038 01:02:12,880 --> 01:02:15,320 -You invented modern art. 1039 01:02:15,640 --> 01:02:17,680 It was like therapy. 1040 01:02:19,680 --> 01:02:20,440 Huh ? 1041 01:02:27,440 --> 01:02:28,600 (A therapy session.) 1042 01:02:31,360 --> 01:02:32,560 (Of course.) 1043 01:02:32,880 --> 01:02:54,240 ... 1044 01:02:54,560 --> 01:02:55,960 Excuse me, pardon me. 1045 01:02:56,280 --> 01:02:59,400 I have a question for you. -What are you doing? 1046 01:02:59,720 --> 01:03:01,600 -Never mind. I have 2 questions. 1047 01:03:01,920 --> 01:03:06,080 Did your attacker do anything to your hair? 1048 01:03:08,680 --> 01:03:09,440 -Yes. 1049 01:03:11,120 --> 01:03:12,240 He stroked it. 1050 01:03:12,560 --> 01:03:13,320 -All right. 1051 01:03:13,640 --> 01:03:15,120 And then, 1052 01:03:15,440 --> 01:03:20,240 Did he put his hands on your neck as if he wanted to strangle you? 1053 01:03:23,480 --> 01:03:26,000 -It lasted a few seconds and then he ran away. 1054 01:03:26,320 --> 01:03:29,120 -Okay. Thank you. You can take her. 1055 01:03:34,880 --> 01:03:37,320 -Can we know what you're doing here? 1056 01:03:37,640 --> 01:03:41,800 -It's not her. Her attacker is the murderer of Louise Pérec. 1057 01:03:42,120 --> 01:03:45,040 The hair, the strangulation, it's not a coincidence. 1058 01:03:45,360 --> 01:03:49,120 The murderer knows both of Cézanne's paintings by heart. 1059 01:03:49,440 --> 01:03:50,880 And it obsesses him. -OK. 1060 01:03:51,200 --> 01:03:55,400 Um... Where did you get that from? -Art therapy. 1061 01:03:55,720 --> 01:04:00,360 -What do you mean? I don't understand. -He thinks that Cézanne, like him, 1062 01:04:00,680 --> 01:04:03,080 had murderous impulses, 1063 01:04:03,400 --> 01:04:05,560 and that, thanks to painting, 1064 01:04:05,880 --> 01:04:09,480 He got through it. Art therapy. -It doesn't work for him. 1065 01:04:09,800 --> 01:04:11,600 -He's delusional. 1066 01:04:11,920 --> 01:04:15,560 He blames Cézanne because it failed, and he kills him. 1067 01:04:15,880 --> 01:04:17,000 The eyes. 1068 01:04:17,320 --> 01:04:21,440 This gesture highlights his inability to control his impulses. 1069 01:04:25,640 --> 01:04:27,080 -OK. Well, then... 1070 01:04:27,680 --> 01:04:31,600 He assaulted Aline Costa, and 5 months later, he killed Louise Pérec. 1071 01:04:32,120 --> 01:04:34,880 -And he might not stop there. 1072 01:04:36,160 --> 01:04:39,400 -Wait, art therapy? -Otherwise, I don't know what explains 1073 01:04:39,720 --> 01:04:42,080 why he gouged out Cézanne's eyes. 1074 01:04:43,240 --> 01:04:47,760 -And I'll tell the prosecutor that we have a killer who does art therapy? 1075 01:04:48,080 --> 01:04:52,280 -Yes, why not? -He tried to assault Aline Costa 1076 01:04:52,600 --> 01:04:55,160 with the same modus operandi as L. Perec. 1077 01:04:55,480 --> 01:04:56,840 The explanations 1078 01:04:57,160 --> 01:04:58,080 artistic 1079 01:04:58,400 --> 01:05:02,160 Psycho-thingy, who cares. -Thanks for the thingy. 1080 01:05:03,040 --> 01:05:05,760 -I didn't mean that... -You said it. 1081 01:05:06,080 --> 01:05:07,760 -It's just that, well... 1082 01:05:08,280 --> 01:05:11,800 It can be assumed that the killer knew both A. Costa 1083 01:05:12,120 --> 01:05:13,160 and Louise Pérec. 1084 01:05:13,480 --> 01:05:15,080 That's the main point. 1085 01:05:15,600 --> 01:05:17,240 -And who makes the connection? 1086 01:05:17,560 --> 01:05:21,400 -I didn't tell anyone that I had this affair with her. 1087 01:05:22,720 --> 01:05:26,840 -You think I bragged about sleeping with a failed painter? 1088 01:05:27,160 --> 01:05:30,680 Who didn't want to leave his wife? -You're just a bitch! 1089 01:05:31,000 --> 01:05:32,080 -Hey, easy now! 1090 01:05:33,400 --> 01:05:35,560 Do you want to find the murderer? 1091 01:05:38,680 --> 01:05:39,600 *Good... 1092 01:05:40,880 --> 01:05:45,000 Did anyone know both the lady and your partner? 1093 01:05:46,680 --> 01:05:49,280 -I'm sorry, but I don't see it. 1094 01:05:49,600 --> 01:05:52,080 -Was Louise there at the opening? 1095 01:05:56,560 --> 01:05:58,040 -Yes, she was there. 1096 01:05:58,680 --> 01:06:01,040 So what? I avoided her. 1097 01:06:01,360 --> 01:06:04,400 All evening. -Did you talk to anyone? 1098 01:06:04,720 --> 01:06:08,040 -Yes, of course. I wasn't just a pretty face. 1099 01:06:08,360 --> 01:06:11,280 *Do you think she spoke to the murderer? 1100 01:06:13,080 --> 01:06:14,080 -The aggression, 1101 01:06:14,400 --> 01:06:16,280 Was that shortly after? -Mm. 1102 01:06:16,600 --> 01:06:17,480 -I see 1103 01:06:17,800 --> 01:06:19,480 That's all, for now. 1104 01:06:20,680 --> 01:06:23,360 -Cheers. -To you. 1105 01:06:23,680 --> 01:06:25,160 -Bravo. -Thank you very much. 1106 01:06:26,720 --> 01:06:30,480 -Louise, I wanted to ask you something regarding... 1107 01:06:30,800 --> 01:06:32,000 -I'll be back. -OK. 1108 01:06:33,200 --> 01:06:35,800 -Do you paint? -No, I'm just a friend. 1109 01:06:36,120 --> 01:06:37,880 -Who did you speak to? 1110 01:06:38,200 --> 01:06:40,000 -To 15, 20 people! 1111 01:06:40,320 --> 01:06:44,200 *Do you think I asked them for their ID cards? 1112 01:06:44,520 --> 01:06:46,280 *-That's a lot of people. 1113 01:06:46,600 --> 01:06:48,920 *I'm sociable.* *This is the first time* 1114 01:06:49,240 --> 01:06:52,080 *That she was coming to an opening? *-Yes. 1115 01:06:52,400 --> 01:06:53,680 -Hello, Vincent? 1116 01:06:54,560 --> 01:06:56,560 Yeah, I'm interviewing. 1117 01:06:57,400 --> 01:06:58,480 Right away ? 1118 01:06:59,400 --> 01:07:01,280 There? *-Obviously not. 1119 01:07:01,600 --> 01:07:03,480 *I was being extremely careful. -No. 1120 01:07:03,800 --> 01:07:05,880 I'll see what I can do. 1121 01:07:06,400 --> 01:07:07,200 OK. 1122 01:07:08,400 --> 01:07:10,000 Me too. Me too. 1123 01:07:10,320 --> 01:07:14,640 *If we showed you a photo, would you be able to recognize them? 1124 01:07:15,480 --> 01:07:18,600 -Yes, I think so. -Do you have a guest list? 1125 01:07:18,920 --> 01:07:20,440 -From my guests, yes. 1126 01:07:20,760 --> 01:07:24,560 Louise had hers. It's probably on her computer. 1127 01:07:28,960 --> 01:07:30,160 -You keep an eye on them. 1128 01:07:30,480 --> 01:07:34,680 I need the guest list for the opening. Search the computers 1129 01:07:35,000 --> 01:07:36,840 of Pavard and Louise. 1130 01:07:37,160 --> 01:07:40,160 -OK. -With the photos. We'll show them 1131 01:07:40,480 --> 01:07:41,400 to Aline Costa. 1132 01:07:41,720 --> 01:07:43,440 -I'll take care of it. -Thank you. 1133 01:07:43,760 --> 01:07:46,360 Will you call me when you have all that? -Yeah. 1134 01:07:48,360 --> 01:07:50,040 -All we have to do is wait. 1135 01:07:50,360 --> 01:07:54,880 -Well, I'm going out to do an errand for two or three hours. 1136 01:07:55,200 --> 01:07:57,040 -2 or 3 hours? -Yes, an errand. 1137 01:07:58,160 --> 01:08:00,800 -OK, go ahead, no problem. 1138 01:08:01,120 --> 01:08:02,640 -Are you sure? -Mm. 1139 01:08:20,320 --> 01:08:21,440 (Ah, damn!) 1140 01:08:32,320 --> 01:08:33,560 -Adele called 1141 01:08:33,880 --> 01:08:37,560 the PTS to retrieve Louise Pérec's computer. 1142 01:08:37,880 --> 01:08:39,040 -OK, perfect. 1143 01:08:39,360 --> 01:08:42,280 -What are you doing? -I'm going to do an errand. 1144 01:08:42,600 --> 01:08:46,000 Since there's nothing left to do but wait... -An errand? 1145 01:08:46,320 --> 01:08:49,840 -An errand, yes. See you soon. -See you soon. 1146 01:09:08,840 --> 01:09:10,760 *Upbeat music. 1147 01:09:12,160 --> 01:09:14,360 -Here you go. -Thank you very much. 1148 01:09:14,680 --> 01:09:17,360 Goodbye. -Have a good day, goodbye. 1149 01:09:22,800 --> 01:09:26,320 -You know your father called me? -My father? 1150 01:09:26,640 --> 01:09:27,400 -Yes. 1151 01:09:28,440 --> 01:09:31,720 He seemed a little strange to me. Is he alright? 1152 01:09:32,040 --> 01:09:33,640 -Yes, yes. Why? 1153 01:09:39,840 --> 01:09:42,600 -He was convinced he had seen me yesterday. 1154 01:09:44,120 --> 01:09:47,760 And he asked me if I had been with you, at the Sorbonne. 1155 01:09:48,080 --> 01:09:51,840 -Okay. Don't worry. He's losing... He's not losing his mind. 1156 01:09:52,160 --> 01:09:55,440 But... -I can't hear anything, damn it! 1157 01:09:55,760 --> 01:09:57,960 *... 1158 01:09:58,280 --> 01:10:00,560 -He's a bit crazy, but he's okay. 1159 01:10:00,880 --> 01:10:02,360 And you, how are you doing? 1160 01:10:02,680 --> 01:10:10,800 *... 1161 01:10:11,120 --> 01:10:12,480 -Criminal investigation department. 1162 01:10:12,800 --> 01:10:18,640 *... 1163 01:10:34,480 --> 01:10:38,360 -Tell me about your hidden talent. -I'm very happy to pass 1164 01:10:38,680 --> 01:10:40,440 time with you. 1165 01:10:43,800 --> 01:10:44,680 -Yes, hello? 1166 01:10:45,000 --> 01:10:48,800 -Yes, Antoine. Am I bothering you? Still doing your errand? 1167 01:10:49,120 --> 01:10:51,600 -No, you're not bothering me. Go ahead. 1168 01:10:51,920 --> 01:10:54,600 -Adèle returned with the guest list. 1169 01:10:54,920 --> 01:10:57,840 She is currently retrieving the photos and... 1170 01:10:58,160 --> 01:11:00,520 We already have a picture of one of them. 1171 01:11:02,000 --> 01:11:03,760 -OK, who is it? 1172 01:11:04,080 --> 01:11:05,560 -It's your cousin. 1173 01:11:06,440 --> 01:11:08,320 -What? But that idiot 1174 01:11:08,640 --> 01:11:09,480 is everywhere! 1175 01:11:09,800 --> 01:11:11,960 That doesn't mean he spoke 1176 01:11:12,280 --> 01:11:13,880 to Aline Costa. 1177 01:11:14,200 --> 01:11:17,160 -That's exactly why I'm calling you. 1178 01:11:17,480 --> 01:11:19,560 She remembers him very well. 1179 01:11:19,880 --> 01:11:20,680 Yes. 1180 01:11:21,000 --> 01:11:24,600 He would have latched on to her. Like, annoying. 1181 01:11:27,080 --> 01:11:30,880 *You know what I mean? -Yes, annoying, I see. 1182 01:11:31,200 --> 01:11:32,360 You didn't feel it. 1183 01:11:32,680 --> 01:11:33,960 *from the beginning. 1184 01:11:38,360 --> 01:11:40,120 *Perhaps it would be necessary 1185 01:11:40,440 --> 01:11:42,400 *Question him, right? 1186 01:11:42,720 --> 01:11:44,160 Can you summon him? 1187 01:11:44,480 --> 01:11:47,560 Unless it interferes with your little run. 1188 01:11:48,240 --> 01:11:51,240 -No, it doesn't bother me. *-Are you sure? 1189 01:11:52,160 --> 01:11:53,480 -Yes, I'm sure. 1190 01:11:53,800 --> 01:11:54,840 *-Wonderful. 1191 01:11:55,160 --> 01:11:57,400 *See you later. -See you. 1192 01:12:02,000 --> 01:12:05,480 -I didn't plan on giving you away. -What were you doing, then? 1193 01:12:05,800 --> 01:12:08,400 You continued listening. -No! 1194 01:12:08,720 --> 01:12:11,240 Not at all. -You smell like cotton candy. 1195 01:12:11,560 --> 01:12:14,280 -Sorry, I smell like cotton candy. 1196 01:12:14,600 --> 01:12:15,640 I'm sorry. 1197 01:12:15,960 --> 01:12:16,800 -I'm shocked. 1198 01:12:18,920 --> 01:12:20,640 -Do you see this painting? 1199 01:12:21,320 --> 01:12:23,640 It's a fake; we brought it in today. 1200 01:12:23,960 --> 01:12:27,960 -I know, it's my job. -Some guy bought it for 2 million. 1201 01:12:28,280 --> 01:12:30,880 2 million euros. Isn't that crazy? 1202 01:12:31,200 --> 01:12:34,000 -Yes, but pigeons have always been around. 1203 01:12:34,320 --> 01:12:36,640 -Yeah. Except he was warned: 1204 01:12:36,960 --> 01:12:40,800 "There are lots of fakes circulating." And he bought it anyway. 1205 01:12:41,120 --> 01:12:44,320 He fell in love with the fake. You see? 1206 01:12:47,280 --> 01:12:48,280 -Lover ? 1207 01:12:53,120 --> 01:12:56,440 -I'm sure that if we put the real thing in front of him, 1208 01:12:57,480 --> 01:12:59,320 He would like to keep that one. 1209 01:12:59,640 --> 01:13:03,800 As if he were afraid of living with an object too precious to him. 1210 01:13:04,120 --> 01:13:07,120 Do you see what I mean, or not? 1211 01:13:09,600 --> 01:13:12,320 -I see perfectly what you mean. 1212 01:13:13,560 --> 01:13:16,240 Vincent is not a pale imitation. 1213 01:13:18,160 --> 01:13:19,920 I know what I'm doing. 1214 01:13:22,440 --> 01:13:25,200 -What are you doing? Doppel is waiting for us. 1215 01:13:27,520 --> 01:13:28,320 Huh? 1216 01:13:28,640 --> 01:13:29,480 Everything is fine ? 1217 01:13:29,800 --> 01:13:30,680 Remember, 1218 01:13:31,000 --> 01:13:32,440 we work in... 1219 01:13:32,760 --> 01:13:35,480 -If you talk to me again about calm, about serenity, 1220 01:13:35,800 --> 01:13:38,160 I swear, it's not going to work. 1221 01:13:39,000 --> 01:13:41,760 -Are we bothering you with andropause? 1222 01:13:43,880 --> 01:13:47,640 -Excuse me. It's... I know you're having problems, 1223 01:13:47,960 --> 01:13:49,320 But you're not the only one. 1224 01:13:49,640 --> 01:13:50,760 The others too. 1225 01:13:51,360 --> 01:13:52,400 You see? -Mm. 1226 01:13:53,160 --> 01:13:56,520 -Commander, you are wanted in your office. 1227 01:13:57,080 --> 01:13:58,600 Are you okay? -Yes, I'm okay. 1228 01:13:58,920 --> 01:13:59,960 I'm coming. 1229 01:14:06,200 --> 01:14:07,360 What is... 1230 01:14:07,680 --> 01:14:09,280 How many have I taken? 1231 01:14:16,640 --> 01:14:20,200 -Listen, Antoine, this is ridiculous. Ridiculous. 1232 01:14:21,480 --> 01:14:22,800 -Did you talk to her? 1233 01:14:23,400 --> 01:14:24,920 -Yes, a little. 1234 01:14:25,520 --> 01:14:27,240 *-Did you flirt with her? *-Well, 1235 01:14:27,560 --> 01:14:30,920 I was just trying to get to know her. 1236 01:14:31,240 --> 01:14:32,840 -So, you flirted with her. 1237 01:14:33,160 --> 01:14:35,760 -I find this painting absolutely... 1238 01:14:36,080 --> 01:14:39,400 It's fantastical. It's like a dream. 1239 01:14:40,880 --> 01:14:42,440 She made me understand 1240 01:14:42,760 --> 01:14:46,640 that she did not want to continue the conversation. 1241 01:14:46,960 --> 01:14:50,520 I like it very much. You want to step into his paintings. 1242 01:14:50,840 --> 01:14:53,000 -Ah yes! You love them very much. 1243 01:14:53,320 --> 01:14:54,600 -I love it, yes. 1244 01:14:54,920 --> 01:14:57,920 -I have to go, see you later, OK? 1245 01:15:01,520 --> 01:15:02,880 -On the other hand... 1246 01:15:05,560 --> 01:15:06,600 -What? Go ahead. 1247 01:15:06,920 --> 01:15:11,040 She went to talk to a young man, and she seemed 1248 01:15:11,360 --> 01:15:14,000 *much more interested. She was very... 1249 01:15:15,240 --> 01:15:17,600 -Very what? Spit it out, damn it. 1250 01:15:18,640 --> 01:15:20,080 -Entrepreneurial. 1251 01:15:20,400 --> 01:15:23,080 -Do you know this young man? -Yes, 1252 01:15:23,400 --> 01:15:26,400 Well, vaguely. He was one of Louise's students. 1253 01:15:27,160 --> 01:15:28,120 -Hello. 1254 01:15:29,200 --> 01:15:33,480 I got you a beer. Would you like one? -Yes, thank you, that's kind of you. 1255 01:15:33,800 --> 01:15:35,640 -Are you an artist? -Absolutely. 1256 01:15:35,960 --> 01:15:38,880 -I'm a model. If you need anything, 1257 01:15:39,200 --> 01:15:40,480 that would be cool. 1258 01:15:43,000 --> 01:15:44,840 -She turned it on, didn't she? 1259 01:15:45,800 --> 01:15:46,720 -Yes. 1260 01:15:48,160 --> 01:15:50,560 I felt for him, I can say that. 1261 01:15:50,880 --> 01:15:51,800 -You ask... 1262 01:15:52,120 --> 01:15:55,960 -I model for painters, photographers... 1263 01:15:56,280 --> 01:15:57,760 -OK. -Lots of different things. 1264 01:15:59,440 --> 01:16:02,160 -That's great, do you live in Paris? -I live in Aix. 1265 01:16:03,120 --> 01:16:04,040 -We talked. 1266 01:16:04,360 --> 01:16:06,760 We talked for... ten minutes. 1267 01:16:07,600 --> 01:16:08,760 And that's it. 1268 01:16:09,280 --> 01:16:10,040 Why ? 1269 01:16:11,760 --> 01:16:15,560 -She was attacked five days later in Aix-en-Provence. 1270 01:16:16,280 --> 01:16:17,920 -How does this concern me? 1271 01:16:18,240 --> 01:16:20,040 -In that you were 1272 01:16:20,360 --> 01:16:22,040 in Aix, that day. 1273 01:16:22,360 --> 01:16:23,520 -No. -Yes. 1274 01:16:23,840 --> 01:16:25,840 You have turned off your mobile phone. 1275 01:16:26,640 --> 01:16:30,080 and the tickets weren't in your name. 1276 01:16:31,160 --> 01:16:33,520 But the computer that was used 1277 01:16:33,840 --> 01:16:37,400 To go to the SNCF website, it's your computer. 1278 01:16:38,280 --> 01:16:39,560 It's crazy, isn't it? 1279 01:16:39,880 --> 01:16:42,000 We'll see your face soon. 1280 01:16:42,320 --> 01:16:44,920 on the CCTV cameras at the station. 1281 01:16:47,040 --> 01:16:48,760 What happened? 1282 01:16:51,840 --> 01:16:52,840 -I... 1283 01:16:55,240 --> 01:16:56,320 I lost my mind. 1284 01:16:58,680 --> 01:17:01,200 She flirted with me all evening. 1285 01:17:01,520 --> 01:17:03,720 And I couldn't forget her. 1286 01:17:04,040 --> 01:17:07,040 So, I absolutely had to see her again. 1287 01:17:07,360 --> 01:17:09,800 -So, you thought to yourself: "Hey... 1288 01:17:11,080 --> 01:17:13,040 "What if I went down to Aix?" 1289 01:17:13,560 --> 01:17:16,480 "If I were to attack her, she would be pleased." 1290 01:17:16,800 --> 01:17:19,680 -That's not it. I completely lost it, I... 1291 01:17:20,000 --> 01:17:22,080 But nothing happened. 1292 01:17:22,400 --> 01:17:24,840 I stopped immediately. That's it. 1293 01:17:25,160 --> 01:17:28,160 -If that couple hadn't passed by, you would have killed her. 1294 01:17:28,480 --> 01:17:32,240 -What? Are you out of your mind? -Are you familiar with these paintings? 1295 01:17:34,960 --> 01:17:35,920 This one? 1296 01:17:36,240 --> 01:17:37,120 -Yes. 1297 01:17:38,240 --> 01:17:39,200 -And... 1298 01:17:40,200 --> 01:17:41,280 this one? 1299 01:17:41,960 --> 01:17:42,960 -Yes. 1300 01:17:46,080 --> 01:17:49,760 These are by Cézanne. They are early paintings. 1301 01:17:50,080 --> 01:17:53,880 -You must have noticed that Cézanne insisted 1302 01:17:54,200 --> 01:17:56,480 on the hair in this one. 1303 01:17:56,800 --> 01:17:59,760 -No. Not... Not particularly. 1304 01:18:00,080 --> 01:18:01,080 -All right. 1305 01:18:03,480 --> 01:18:04,480 -Why ? 1306 01:18:09,160 --> 01:18:11,680 -Aline Costa told us that... 1307 01:18:13,680 --> 01:18:15,960 You stroked her hair. 1308 01:18:17,640 --> 01:18:18,480 -All right. 1309 01:18:18,800 --> 01:18:19,560 Yes. 1310 01:18:20,160 --> 01:18:22,320 Probably. I don't remember. 1311 01:18:23,200 --> 01:18:25,040 What's the connection? 1312 01:18:25,360 --> 01:18:28,360 -Louise Pérec was found with her hair styled 1313 01:18:28,680 --> 01:18:31,480 exactly the same way. -And she was 1314 01:18:31,800 --> 01:18:35,400 strangled exactly like in the painting. Yes. 1315 01:18:36,440 --> 01:18:38,840 -Do you think I killed Louise? 1316 01:18:39,160 --> 01:18:40,680 -What do you think? -No. 1317 01:18:42,640 --> 01:18:43,400 No. 1318 01:18:44,720 --> 01:18:47,080 Finally, I... This is insane. 1319 01:18:48,480 --> 01:18:50,120 OK, I'm sorry. 1320 01:18:50,440 --> 01:18:53,840 I messed up with Aline. I blame myself. 1321 01:18:55,400 --> 01:18:56,440 But Louise... 1322 01:18:58,400 --> 01:18:59,280 No. 1323 01:19:01,200 --> 01:19:05,440 You can ask the students. We got along really well. OK? 1324 01:19:05,760 --> 01:19:07,880 I've been taking those classes for 2 years. 1325 01:19:08,200 --> 01:19:11,600 If I had wanted to attack her, I would have done it sooner. 1326 01:19:11,920 --> 01:19:13,960 Why now? -Everything fits. 1327 01:19:14,280 --> 01:19:15,800 Arthur must have thought to himself 1328 01:19:16,120 --> 01:19:20,000 that by following Cézanne's example, he would master his impulses. 1329 01:19:20,320 --> 01:19:24,400 -Everything might fit for you, but we can't prove anything. 1330 01:19:24,720 --> 01:19:26,440 -I am sure of myself. 1331 01:19:26,760 --> 01:19:28,920 -There was an attempted attack 1332 01:19:29,240 --> 01:19:31,720 of Aline Costa. That's all we have. 1333 01:19:32,040 --> 01:19:34,640 Nothing about the murder. He won't go to prison. 1334 01:19:34,960 --> 01:19:35,760 -It's true. 1335 01:19:37,920 --> 01:19:40,680 -Did you interview the other students? 1336 01:19:41,000 --> 01:19:44,360 -Yes. They didn't notice anything suspicious. Nothing. 1337 01:19:45,360 --> 01:19:49,560 -Okay. We don't know why he had an impulse after 2 years. 1338 01:19:49,880 --> 01:19:52,840 -The end of police custody is in 15 hours. 1339 01:19:53,160 --> 01:19:54,080 -What? -Yes. 1340 01:19:54,400 --> 01:19:56,080 What do we do? 1341 01:19:56,400 --> 01:19:59,000 -We need to go back to the crime scene. 1342 01:20:00,320 --> 01:20:01,760 -What are you thinking about? 1343 01:20:02,080 --> 01:20:04,880 -Sorry, but we'll have to turn everything upside down. 1344 01:20:05,200 --> 01:20:09,200 I find it hard to believe that he went back there to retrieve his bag. 1345 01:20:09,520 --> 01:20:13,000 I must have missed something, it's impossible. 1346 01:20:14,480 --> 01:20:17,200 Have you looked at the easels? -Where? 1347 01:20:17,520 --> 01:20:18,360 -There, there. -No. 1348 01:20:18,680 --> 01:20:19,960 -Look everywhere. 1349 01:20:24,960 --> 01:20:25,920 -Captain? 1350 01:20:26,240 --> 01:20:27,520 No, not yet. 1351 01:20:32,960 --> 01:20:34,640 -Do you have anything? 1352 01:20:34,960 --> 01:20:38,120 -I'm sorry, I feel like I'm not doing anything right. 1353 01:20:38,440 --> 01:20:42,040 I didn't hang out with them, Louise's students. 1354 01:20:43,360 --> 01:20:44,160 You think 1355 01:20:44,480 --> 01:20:46,200 Is it him? -We don't know. 1356 01:20:46,520 --> 01:20:50,120 We're looking for proof. That's why we're here. 1357 01:20:50,440 --> 01:20:51,800 -Wait, excuse me. 1358 01:20:56,920 --> 01:21:00,520 -A copy of Cézanne. -Did you paint this? 1359 01:21:00,840 --> 01:21:03,720 -A student did. She displayed the most successful ones. 1360 01:21:04,280 --> 01:21:06,160 -Yes, it's very well done. 1361 01:21:07,120 --> 01:21:09,000 -What's this bag like? 1362 01:21:09,320 --> 01:21:13,240 -Canvas, with a leather reverse. -A leather reverse. 1363 01:21:19,240 --> 01:21:21,200 I've seen that before. -Where? 1364 01:21:21,800 --> 01:21:24,880 -In Arthur Dulac's bag, which was there. 1365 01:21:27,440 --> 01:21:29,320 -This painting? -On a scarf. 1366 01:21:29,640 --> 01:21:31,560 May I? -Yes. 1367 01:21:39,360 --> 01:21:41,160 "Caroline Albert." -What? 1368 01:21:42,120 --> 01:21:44,360 -It says "Caroline Albert". 1369 01:21:45,680 --> 01:21:47,000 -Does that ring a bell? 1370 01:21:47,680 --> 01:21:48,720 -No. 1371 01:21:49,040 --> 01:21:50,600 -That's the student 1372 01:21:50,920 --> 01:21:52,280 who did it. -Mm. 1373 01:21:55,640 --> 01:21:56,640 Ah, damn. 1374 01:21:56,960 --> 01:21:57,760 -What ? 1375 01:21:58,080 --> 01:22:00,520 -She was raped and killed 3 years ago. 1376 01:22:00,840 --> 01:22:05,040 Her murderer hasn't been found. -Were you aware of that? 1377 01:22:05,360 --> 01:22:06,840 -I don't know, I... 1378 01:22:07,160 --> 01:22:08,200 -Look. Her. 1379 01:22:08,520 --> 01:22:12,800 -That might ring a bell. -Didn't she mention it to you? 1380 01:22:13,320 --> 01:22:15,360 -I don't think I was in Paris. 1381 01:22:30,240 --> 01:22:32,960 -This scarf belonged to Caroline Albert. 1382 01:22:33,280 --> 01:22:35,400 We are waiting for the DNA results. 1383 01:22:36,160 --> 01:22:38,080 What was it doing at your place? 1384 01:22:39,040 --> 01:22:39,880 Huh ? 1385 01:22:41,800 --> 01:22:45,600 -I have nothing to say to you. I want to see my lawyer. 1386 01:22:52,360 --> 01:22:53,640 -Listen... 1387 01:22:54,520 --> 01:22:57,720 We know you wanted to get treatment, 1388 01:22:59,560 --> 01:23:01,080 that you tried. 1389 01:23:03,040 --> 01:23:04,000 -Maybe. 1390 01:23:07,840 --> 01:23:09,360 But it's pointless. 1391 01:23:12,040 --> 01:23:13,280 It's in my head. 1392 01:23:14,000 --> 01:23:15,160 It won't go away. 1393 01:23:15,480 --> 01:23:18,760 -According to your classmates, the day before Louise's death, 1394 01:23:19,080 --> 01:23:22,320 You all went to paint in Auvers-sur-Oise. 1395 01:23:25,080 --> 01:23:27,640 And you drove her home. 1396 01:23:29,360 --> 01:23:30,760 What happened? 1397 01:23:33,440 --> 01:23:36,360 -OK. I'll be a minute. -No problem. 1398 01:23:36,680 --> 01:23:37,680 I'll wait for you. 1399 01:23:58,600 --> 01:23:59,520 Oh! 1400 01:23:59,840 --> 01:24:00,680 Shit ! 1401 01:24:07,680 --> 01:24:10,560 -Caroline Albert wore this scarf 1402 01:24:10,880 --> 01:24:15,080 the day of her death. I think Louise Pérec knew that. 1403 01:24:15,400 --> 01:24:45,800 ... 1404 01:24:46,120 --> 01:24:48,040 -She looked in my bag. 1405 01:24:51,920 --> 01:24:53,360 She didn't put it back exactly. 1406 01:24:54,440 --> 01:24:56,280 It wasn't folded the same way. 1407 01:25:14,600 --> 01:25:18,160 The next day, she avoided my gaze. I understood. 1408 01:25:22,280 --> 01:25:26,360 -You knew that if she talked, you would get 20 years, or even 30. 1409 01:25:28,720 --> 01:25:29,680 -Yes. 1410 01:25:32,720 --> 01:25:35,160 -She didn't even try to talk to me about it. 1411 01:25:35,480 --> 01:25:39,640 I was so... I was only thinking about my fucking painting. 1412 01:25:42,320 --> 01:25:44,440 -Come, I'll walk you out. 1413 01:25:53,960 --> 01:25:56,240 -I wasn't listening to her much, Hortense. 1414 01:25:56,560 --> 01:26:00,360 But I watched her a lot. -Along with Sainte-Victoire, 1415 01:26:00,680 --> 01:26:02,960 She's the one you painted the most. 1416 01:26:03,280 --> 01:26:06,800 It is said that she alone had the patience to pose for you. 1417 01:26:07,120 --> 01:26:07,880 -Patience ? 1418 01:26:09,400 --> 01:26:13,400 You need to have painted many landscapes to succeed at a portrait. 1419 01:26:13,720 --> 01:26:16,840 A model that doesn't change much. 1420 01:26:18,520 --> 01:26:19,640 -Did you love her? 1421 01:26:22,400 --> 01:26:25,080 -Solitude loved me even more. 1422 01:26:25,800 --> 01:26:27,000 And what about you? 1423 01:26:27,760 --> 01:26:28,720 -What, and what about me? 1424 01:26:29,040 --> 01:26:48,000 ... 1425 01:26:48,320 --> 01:26:49,280 -Yes. 1426 01:26:50,880 --> 01:26:51,960 I love him. 1427 01:26:52,280 --> 01:27:15,680 ... 1428 01:27:16,000 --> 01:27:17,600 There's a knock at the door. 1429 01:27:18,240 --> 01:27:19,920 -Hi, my darling. 1430 01:27:20,600 --> 01:27:21,840 -Hello, Dad. 1431 01:27:22,920 --> 01:27:26,680 -That's it. We were able to have a drink together. 1432 01:27:27,360 --> 01:27:29,720 -We? Who are you talking about? 1433 01:27:30,240 --> 01:27:33,800 -Vincent. -Your specialty is taking people down. 1434 01:27:34,120 --> 01:27:37,520 My suitors, but that one, you don't touch. 1435 01:27:37,840 --> 01:27:39,440 It makes me feel good. 1436 01:27:39,760 --> 01:27:43,160 He is kind, gentle, and sensitive. 1437 01:27:43,480 --> 01:27:47,120 -He is charming, he is brilliant, he is witty. 1438 01:27:47,440 --> 01:27:48,520 I agree. 1439 01:27:49,320 --> 01:27:50,920 -Do you agree? -Yes. 1440 01:27:51,240 --> 01:27:55,320 -What do you mean, you agree? -Florence, that's wonderful. 1441 01:27:55,640 --> 01:28:00,320 To find the ideal man like this, now, is unexpected. 1442 01:28:00,640 --> 01:28:02,960 Please, you should keep this one. 1443 01:28:05,600 --> 01:28:06,600 -What ? 1444 01:28:06,920 --> 01:28:09,400 -This is the first time in my entire life 1445 01:28:09,720 --> 01:28:11,000 that you tell me that. 1446 01:28:12,160 --> 01:28:14,320 -This might be the first time 1447 01:28:14,640 --> 01:28:18,840 that you introduce me to an almost perfect suitor. 1448 01:28:19,160 --> 01:28:23,160 -Ah! Ah, there it is! I was scared, I was worried. 1449 01:28:23,480 --> 01:28:27,200 It was too good to be true. Expand on the "almost". 1450 01:28:27,720 --> 01:28:29,920 -Florence, the question 1451 01:28:30,240 --> 01:28:33,240 Physical fitness. -Oh no, you're not going to start that. 1452 01:28:33,560 --> 01:28:38,080 -They look alike, but did you find that they were the same? 1453 01:28:38,400 --> 01:28:41,680 -No, they're not the same at all. -Question settled. 1454 01:28:42,480 --> 01:28:43,640 -I agree. 1455 01:28:43,960 --> 01:28:47,000 Me neither, I've never been attached to physical appearance. 1456 01:28:47,320 --> 01:28:50,120 And as they say: nobody's perfect. 1457 01:28:51,320 --> 01:28:52,200 What ? 1458 01:28:56,800 --> 01:28:58,640 -No, I'm not used to it. 1459 01:28:59,560 --> 01:29:01,840 You're the only one who understands me. 1460 01:29:03,280 --> 01:29:04,480 That makes me wonder. 1461 01:29:05,440 --> 01:29:08,520 -Perhaps it's because the others are idiots. 1462 01:29:08,840 --> 01:29:12,400 And maybe you, too, will finally become... 1463 01:29:13,720 --> 01:29:14,600 reasonable. 1464 01:29:14,920 --> 01:29:16,760 Okay, fine, I'll leave you now. 1465 01:29:17,080 --> 01:29:20,680 I'm taking this opportunity to say hello to my colleagues. 1466 01:29:21,000 --> 01:29:22,360 And remember, 1467 01:29:23,160 --> 01:29:24,720 Nobody is perfect. 1468 01:29:25,040 --> 01:29:26,400 Nobody's perfect. 1469 01:29:26,720 --> 01:30:03,000 ... 1470 01:30:03,320 --> 01:30:05,240 -That's Psyche, right? 1471 01:30:05,720 --> 01:30:06,600 -Yes. 1472 01:30:08,040 --> 01:30:12,240 -We think she is asleep, but she is dying. 1473 01:30:13,240 --> 01:30:15,880 And only love can save her. 1474 01:30:20,360 --> 01:30:22,080 Without love, we die. 1475 01:30:22,400 --> 01:30:23,440 -Captain. 1476 01:30:23,760 --> 01:30:49,480 ... 1477 01:30:49,800 --> 01:30:54,080 -I was pretty sure those pretty legs were yours. 1478 01:30:56,920 --> 01:30:57,800 Cuckoo. 1479 01:30:58,520 --> 01:30:59,640 -Cuckoo. 1480 01:31:04,400 --> 01:31:05,840 -Shall we go? -Let's go. 1481 01:31:08,360 --> 01:31:09,320 Ah. -Ah. 1482 01:31:13,000 --> 01:31:17,600 I feel extremely lucky to be able to do this with you. 1483 01:31:17,920 --> 01:31:43,080 ... 1484 01:31:43,400 --> 01:31:47,600 -Commander, you can talk about it. There's no shame in it. It's not taboo. 1485 01:31:47,920 --> 01:31:50,360 -Adèle, Adèle. It's not andropause. 1486 01:31:50,680 --> 01:31:52,360 -Okay. Okay. -There you go. 1487 01:31:57,720 --> 01:31:59,960 How are you all? france.tv access 1488 01:32:00,010 --> 01:32:04,560 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0